La question du public. Approche sémio-pragmatique
La question du public. Approche sémio-pragmatique
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公众问题。
DOI：
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发表时间：
2000
期刊：
影响因子：
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通讯作者：
R. Odin
中科院分区：
文献类型：
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作者：
R. Odin
拒绝既内在的方法和方法折衷主义，作者提出了几个命题的研究公众。他建议，我们应该局限于一种局部的而不是全面的方法，并且应该离开实证分析，以便使用启发式模型更有效地回归实证分析。这个模型将允许人们调查在感知和情感的产生模式方面以及在内部或外部环境约束方面发生了什么。从符号语用学的角度来看，同一部电影的放映会产生不同的文本，具体取决于不同的观众。相反，同一个观众通常处于不同公众之间的交叉点。例子从早期电影院的家庭电影到小说电影和新类型的投影和观看（例如Geode或Imax）。
Refusing both an immanentist approach and methodological eclecticism, the author makes several propositions for a study of the public. He suggests that one confine oneself to a partial rather than comprehensive approach, and that one depart from empirical analysis in order to revert to it more effectively, using an heuristic model. This model will allow one to investigate what happens in terms of modes of production of perceptions and emotions, and in terms of internal or external contextual constraints. For semio-pragmatics, the same film projection generates different texts, depending on the public. Conversely, the same individual viewer is generally at the intersection between different publics. Examples range from the family film at the early cinema to fiction films and new types of projection and viewing (e.g. the Geode or Imax).