Lost and found in music: Music, consciousness and subjectivity
Lost and found in music: Music, consciousness and subjectivity
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DOI：
10.1177/1029864914533812
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发表时间：
2014-09-01
影响因子：
2.4
通讯作者：
Clarke, Eric F.
中科院分区：
文献类型：
--
作者：
Clarke, Eric F.
“强烈的音乐体验”--用Alf Gabrielsson（2011）的术语来说--通常，但显然是矛盾的，似乎让人们在音乐中迷失自我和发现自我。怎么会这样？谁或什么东西丢失了，同样，谁或什么东西找到了，他们怎么能一起发生？在本文中，我提供了一种方法来解决这些问题，框架内的音乐意识和音乐的主观性的角度，试图汇集感性，情感和体现的音乐体验的组成部分，嵌入在日常聆听的生态。在这样做的时候，我还认为，适当关注的重要性，现象学品质的听众的经验，为历史的具体和不断变化的性质，通过音乐体验到的人类主体性，并为动态和动画的理解音乐的参与。
"Strong experiences of music"-to use Alf Gabrielsson's (2011) term-commonly, but apparently paradoxically, seem to involve people in both losing themselves and finding themselves in music. How can this be? Who or what is lost, and, equally, who or what is found, and how can they both happen together? In this paper I offer an approach to these questions, framed within the perspectives of musical consciousness and musical subjectivity, that attempts to bring together perceptual, emotional and embodied components of musical experience, embedded in the ecology of everyday listening. In doing so, I also argue for the importance of paying proper attention to phenomenological qualities of listeners' experiences, for the historically specific and changing nature of human subjectivity experienced through music, and for a dynamic and animated understanding of musical engagement.