Recent Zones of Portraiture: The Selfie
Recent Zones of Portraiture: The Selfie
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肖像画的最新领域：自拍
DOI：
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发表时间：
2017
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影响因子：
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通讯作者：
T. Bruś
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文献类型：
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作者：
T. Bruś
在“自拍时代”（杰里·萨尔茨），我们把自我看作是活跃的。本文建议将自拍作为一种主导和扩大的实践，来断言和表现生活的存在。我将自拍照与快照对齐，说明他们独特的经济和技术基础以及文化地位决定了他们非凡的文化力量和生产力。我认为，自拍是我们渴望在社交世界中可见的一种表达，是肖像画的一种子类型，它暴露并“增殖”我们的脸，作为一种有希望互动的活动。在我们文化的“后面孔”阶段，这种表演性的面孔是视觉呈现的表面，总是在形成中。本文于2016年5月24日提交给欧洲生活写作杂志，并于2017年7月12日发表。
In the “age of the selfie” (Jerry Saltz), we gauge the self as active. This paper proposes to engage the selfie as a dominant and enlarging practice of assertion and performance of lived existence. I align the selfie with the snapshot, making a point about their extraordinary cultural force and productivity determined by their distinctive economies and technical bases as well as cultural statuses. An expression of our desire to be visible in the social world, the selfie, I argue, is a sub-genre of portraiture which exposes and “proliferates” our face as an activity promising interaction. In the “post-face” phase of our culture this performative face is a surface of the visual present, always in the making. This article was submitted to the European Journal of Life Writing on May 24th 2016, and published on July 12th 2017.