Time, Culture and Identity: A Digital and Creative Professional’s Perspective on Interpreting Historical Clocks in Museum Environments
Time, Culture and Identity: A Digital and Creative Professional’s Perspective on Interpreting Historical Clocks in Museum Environments
复制标题
时间、文化和身份：数字和创意专业人士对博物馆环境中历史钟表的解读
DOI：
--
复制
发表时间：
2020
期刊：
影响因子：
--
通讯作者：
D. Robson
中科院分区：
文献类型：
--
作者：
D. Robson
数字媒体为博物馆提供了独特的机会，使其历史藏品的秘密和故事栩栩如生。为了深入了解数字媒体展览的发展过程，本文提出了一个创造性的实践者的角度，在接近技术和媒体为基础的解释收集对象。它遵循了2019年10月在北京举行的时间，文化和身份数字研讨会，该研讨会探讨并分享了学术界，机构，创意从业者和开发人员之间关于数字解释的合作研究和跨学科实践的想法。本文以北京故宫博物院收藏的钟表和自动机为研究对象，遵循工作坊的指导思想。观察是基于作者的实践经验，在运行一个设计工作室，谐波动力学，开发新的媒体展览使用数字技术和视听媒体的博物馆，画廊，并在英国的展览，包括科学博物馆，V&A，巴比肯，泰特美术馆，和伦敦塔。以广泛的交互设计为主导的前景，本文探讨了个人设计的角度来开发解释性内容，并认为这些历史设备建议的特定机会和方法。本文最后一节回顾了这一过程，并对时间、文化和身份数字研讨会的成果进行了反思。这为故宫博物院收藏的乡村风景钟的解释性展览探索了可能性。
: Digital media offer unique opportunities for museums to bring to life the secrets and stories of their historical collections. To bring insight into the process of developing digital media exhibits, this paper presents the perspective of a creative practitioner in approaching technology-and media-based interpretation for collection objects. It follows the Time, Culture and Identity digital workshop held in Beijing in October 2019, which explored and shared ideas about collaborative research and interdisciplinary practice in digital interpretation between academics, institutions, creative practitioners, and developers. Following the direction of the workshop, the paper takes as its focus the clocks and automatons of the imperial collection at the Palace Museum in Beijing. Observations are based on the author’s practice-led experience in running a design studio, Harmonic Kinetic, developing new media exhibits using digital technology and audiovisual media for museums, galleries, and exhibitions in the UK, including the Science Museum, V&A, Barbican, Tate, and the Tower of London. Taking a broad interaction-design-led outlook, the paper explores a personal design perspective for developing interpretive content and considers the particular opportunities and approaches these historical devices suggest. The paper concludes with a final section that reviews the process and reflects on outcomes from the Time, Culture and Identity digital workshop. This explored possibilities for an interpretive exhibit on the Country Scene clock from the Palace Museum collection.
影响因子：
--
作者：
Blyth T
通讯作者：
Blyth T