Social observation in early commercial print media. Towards a genealogy of the social sketch (ca. 1820–1860)

Social observation in early commercial print media. Towards a genealogy of the social sketch (ca. 1820–1860)
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早期商业印刷媒体中的社会观察走向社会素描的谱系(约1820â1860)

DOI:
10.1080/02757206.2017.1375488
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发表时间:
2018
影响因子:
0.7
通讯作者:
Christiane Schwab
Christiane Schwab
中科院分区:
人文科学3区
文献类型:
--
作者:
Christiane Schwab

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19世纪的新闻业很少成为人文和社会科学关注的对象,尽管它具有政治和文化意义以及文献价值。本文探讨了言语-视觉社会素描,因为它已在十九世纪初欧洲不断扩大的期刊市场上演变为一种新闻体裁。社会素描(通常被称为“全景文学”)提供了丰富的民族志微观分析,并经常涉及统计学家,道德家,民俗学家和民族学家举行的辩论。本文不是对所选文本进行仔细的阅读分析,而是试图从知识史的角度追溯社会素描的谱系。在将社会素描的巩固在其社会媒体的背景下,文章认为各种文学和认识的“政权”的先决条件和影响的演变,这种语言-视觉体裁的社会观察和制定跨体裁和跨学科的角度在整个十九世纪的细化和制度化的社会调查。
Nineteenth-century journalism has rarely been an object of attention in the humanities and social sciences – despite its political and cultural significance and its documental value. This article explores the verbal-visual social sketch, as it has evolved as a journalistic genre on the expanding market of periodicals in early nineteenth-century Europe. The social sketches (often referred to as ‘panoramic literature’) provide rich ethnographic micro-analysis and often relate to debates held by statisticians, moralists, folklorists, and ethnologists. This article, rather than providing a close reading analysis of selected texts, attempts to trace a genealogy of the sketch of society from a history of knowledge perspective. After placing the consolidation of the social sketch within its socio-medial contexts, the article considers various literary and epistemic ‘regimes’ that have preconditioned and influenced the evolution of this verbal-visual genre of social observation and formulates cross-genre and interdisciplinary perspectives on the refinement and institutionalization of social inquiry throughout the nineteenth century.
第十九届西班牙新闻与布尔格西亚
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