Social observation in early commercial print media. Towards a genealogy of the social sketch (ca. 1820–1860)
Social observation in early commercial print media. Towards a genealogy of the social sketch (ca. 1820–1860)
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早期商业印刷媒体中的社会观察走向社会素描的谱系(约1820â1860)
DOI:
10.1080/02757206.2017.1375488
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发表时间:
2018
影响因子:
0.7
通讯作者:
Christiane Schwab
中科院分区:
文献类型:
--
作者:
Christiane Schwab
Nineteenth-century journalism has rarely been an object of attention in the humanities and social sciences – despite its political and cultural significance and its documental value. This article explores the verbal-visual social sketch, as it has evolved as a journalistic genre on the expanding market of periodicals in early nineteenth-century Europe. The social sketches (often referred to as ‘panoramic literature’) provide rich ethnographic micro-analysis and often relate to debates held by statisticians, moralists, folklorists, and ethnologists. This article, rather than providing a close reading analysis of selected texts, attempts to trace a genealogy of the sketch of society from a history of knowledge perspective. After placing the consolidation of the social sketch within its socio-medial contexts, the article considers various literary and epistemic ‘regimes’ that have preconditioned and influenced the evolution of this verbal-visual genre of social observation and formulates cross-genre and interdisciplinary perspectives on the refinement and institutionalization of social inquiry throughout the nineteenth century.
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