Visualization by Ear: Auditory Imagery for Scientific Visualization and Virtual Reality
Visualization by Ear: Auditory Imagery for Scientific Visualization and Virtual Reality
复制标题
耳朵可视化：科学可视化和虚拟现实的听觉意象
DOI：
10.2307/3681076
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发表时间：
1991
期刊：
影响因子：
--
通讯作者：
G. Kendall
中科院分区：
文献类型：
--
作者：
G. Kendall
我们这次会议的标题故意含糊其辞，至少暗示了两种截然不同的字面解释--一种是我们梦寐以求的机器，另一种是制造我们梦想的机器。在计算机音乐从业者的一次会议上，这两种相互矛盾的解释似乎很容易解决，他们一直在努力用明显缺乏艺术性的硬件创造艺术，他们渴望机器能更好地响应他们的艺术目标。话又说回来，这是一个专注于听觉体验的人的会议：“听觉的人”是词典中的术语。我认为我们所有人都被激励着来到这里，把我们的一生都献给了声音的艺术和科学，因为我们经历了一个声音的梦想，一个只有通过“梦想机器”才能实现的梦想。对我们的会议标题的两种相互矛盾的解释之间的明显差距可以通过两者的结合来弥合，这表明了“听者对实现其听觉梦想的机器的梦想”。我将集中讨论一个特定的“听觉梦”，而不是机器。我想把重点放在两个相互关联的应用领域，这两个领域在某种程度上超出了计算机音乐的明显范围：科学可视化和虚拟现实。我相信，“计算机音乐系统”的设计可以被广泛地构思，以服务于创作音乐作品以外的目标，而计算机音乐作曲也可以被广泛地构思，以包括为新形式的计算机技术创造听觉图像。作曲家对声音的构建有特殊的见解和观点，这应该会成为这部作品的灵感来源
The title of our conference, "Dream Machines," is intentionally ambiguous and suggests at least two rather disparate, literal interpretations-one, the machines we dream of, and the other, the machines that produce our dreams. These two conflicting interpretations would seem easily resolved in a meeting of computer music practitioners who have struggled to create art with distinctly inartistic hardware and who have coveted machines more responsive to their artistic goals. Then again, this is a meeting of people who are focused and centered in auditory experience: "audiles" is the dictionary's term. I think that all of us have been motivated to be here and devote our lives to the art and science of sound because we have experienced a dream of sound, a dream that could be made real only by a "dream machine." The obvious gap between the two conflicting interpretations of our conference title can be bridged by a marriage of the two which suggests "the dreams that audiles have of machines that realize their auditory dreams." I will focus my discussion on a particular "auditory dream," rather than the machine. I wish to focus on two interrelated application areas that lie somewhat outside the obvious scope of computer music: scientific visualization and virtual reality. I believe that the design of "computer music systems" can be conceived broadly enough to serve goals other than creating musical compositions, and that computer music composition can be conceived of broadly enough to include the creation of the auditory images for new forms of computer technology. Composers have special insights and perspectives on the construction of sound that should inform this work