Introduction: Worlding Cities, or the Art of being Global
Introduction: Worlding Cities, or the Art of being Global
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DOI:
10.1002/9781444346800.ch
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发表时间:
2011-07
期刊:
影响因子:
--
通讯作者:
Aihwa Ong
中科院分区:
文献类型:
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作者:
Aihwa Ong
Cities rise and fall, but the vagaries of urban fate cannot be reduced to the workings of universal laws established by capitalism or colonial history. Caught in the vectors of particular histories, national aspirations, and flows of cultures, cities have always been the principal sites for launching world-conjuring projects. Today, urban dreams and schemes play with accelerating opportunities and accidents that circulate in ever-widening spirals across the planet. Emerging nations exercise their new power by assembling glass and steel towers to project particular visions of the world. Once again, as Rem Koolhaas (2004) notes, “the skyline rises in the East,” as cities vie with one another, and regional aspirations are superseded by new horizons of the global. In the 1970s, New York City was celebrated for its architectural constellation, which fostered a “delirious” culture of congestion. Koolhaas (1997) called New York “The City of the Captive Global,” one that unites the modern with perpetual motion. But by the early twenty-first century, the financial meltdown in the fall of 2008 (called the Great Recession) dealt a reversal of fortune for New York, London, and Tokyo. As these mighty cities struggle to retain their lead as financial powerhouses, Singapore and Dubai are emerging as centers of global finance. Meanwhile, China’s role as the banker of the world has made Shanghai and Hong Kong the shares-selling capitals of the world. While capitals of big economies remain crucial players, Asian economies have skyrocketed, and the Asian world has witnessed the stunning emergence of cities of international consequence. The 2010 Shanghai Expo Introduction