The Motif of World Transfiguration in Ivan Zhdanov’s Poem Orans

The Motif of World Transfiguration in Ivan Zhdanov’s Poem Orans
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伊万·日丹诺夫诗歌《奥兰斯》中世界变形的母题

DOI:
10.15826/qr.2019.3.419
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发表时间:
2019
期刊:
影响因子:
0.2
通讯作者:
A. Grominová
A. Grominová
中科院分区:
--
文献类型:
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作者:
A. Grominová

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在当代俄罗斯诗人伊凡·日丹诺夫的作品中,宗教主题、图像和思想与寻求“永恒”问题答案的哲学交织在一起,这些问题包括生与死、信仰与脱离上帝、善与恶。本文通过对他最具讽刺意味的诗歌《奥兰斯》的分析和解读,展示了作者对世界和人性的形而上学认识和改造。正如日丹诺夫的所有作品一样,在这首诗中有两个世界,一个世界。e.神与人,作者努力统一和改造。诗人认为爱,希望和宽恕是重新配置人类经验的基本方式,这也是显而易见的,从诗的标题,奥兰斯。这是宽恕的象征,体现在天主之母的身上,作者称之为“最终宽恕的希望”。痛苦和苦难的主题,人类生存的一个组成部分,交织在这首诗中,以及在许多其他作者的作品。基督教价值论的元素是他的艺术世界的主要支柱之一,这个世界充满了对精神复兴的渴望。除了圣经的主题(大天使,最后的审判等),我们还观察到对东斯拉夫人民间传统的依赖(Pokrov日或Theotokos的调解)。除了解读个体意象,文章还关注了诗人的诗歌风格、韵律结构、押韵和复杂的变形语言,这些都使诗人成为元隐喻/元现实主义/新巴洛克的代表。诗人与记忆或诗歌使命的关系在诗歌中起着重要的作用。
In the works of the contemporary Russian poet Ivan Zhdanov, religious motifs, images, and ideas are intertwined with the philosophy of seeking answers to the ‘eternal’ questions of life and death, faith and breaking away from God, and good against evil. Referring to the analysis and interpretation of his most poignant poem Orans, the article demonstrates the author’s metaphysical approach to the perception and transformation of the world and humanity. As in all Zhdanov’s works, in this poem there are two worlds, i. e. the divine and the human, which the author strives to unify and transform. The poet considers love, hope, and forgiveness the fundamental way to reconfigure human experience, which is also apparent from the very title of the poem, Orans. This is a symbol of forgiveness, embodied in the person of the Mother of God, whom the author calls “hope for ultimate forgiveness”. Themes of pain and suffering, an integral part of human existence, are intertwined in this poem, as well as among many others in the author’s oeuvre. Elements of Christian axiology are among the main pillars of his artistic world, which is filled with a desire for spiritual revival. In addition to biblical motifs (the Archangel, the Last Judgment, etc.), we also observe reliance on the folk tradition of the Eastern Slavs (Pokrov Day or the Intercession of the Theotokos). In addition to decoding individual images, the article also pays attention to the poetic style, rhythmic composition, rhyme, and complex metamorphic language which make the poet a representative of metametaphorism/metarealism/neo-baroque. The relationship between the poet and memory, or poetic mission, plays an important role in the poem.