The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art
The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art
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形式的隐藏意义：旧石器时代壁画艺术的记录方法
DOI：
10.1007/s10816-007-9027-3
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发表时间：
2007
影响因子：
2.3
通讯作者：
G. Tosello
中科院分区：
文献类型：
--
作者：
C. Fritz;G. Tosello
由于保护的限制，限制了与原始作品的直接接触，研究旧石器时代洞穴艺术的研究人员受到了许多限制。本文讨论了最近的技术进步如何彻底改变了旧石器时代洞穴艺术的研究和解释。对旧石器时代符号系统的解释是一个复杂的过程，必须以最高的精度将假设应用于洞穴艺术。对绘画或雕刻的表面进行详细的分析，可以更好地理解所使用的技术和壁画创作的实际顺序。通过解开旧石器时代晚期艺术家遵循的创作过程，我们能够瞥见艺术家的动机，并理解艺术隐藏的部分意义。
There are many restrictions placed on researchers studying Paleolithic Cave art due to the constraints of conservation that limit direct contact with the original works. This paper discusses how recent advances in technology have revolutionized the study and interpretation of Paleolithic cave art. The interpretation of Paleolithic symbolic systems is a complex process and hypotheses must be applied to cave art with the greatest of precision. A detailed analysis of the painted or engraved surfaces leads to a greater understanding of both the techniques employed and the actual sequence in which parietal compositions were executed. By unlocking the creative process followed by Upper Paleolithic artists we are able to glimpse the artist’s motivations and to understand a portion of the art’s hidden meaning.