A Method of Analysing Harmony, Based on Interval Patterns or "Gestalten"
A Method of Analysing Harmony, Based on Interval Patterns or "Gestalten"
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一种基于音程模式或“格式塔”的和谐分析方法
DOI：
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发表时间：
1996
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通讯作者：
R. Eberlein
中科院分区：
文献类型：
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作者：
R. Eberlein
尽管在过去的几十年里，传统的调性音乐和声理论经常受到尖锐的批评，但它仍然在使用，还没有更好的替代方案被阐述出来。由于它今天主要用于描述和教授音调和声，现代的替代方法首先应该提供一种更好的方法来描述任何一系列的和声。从最近发展起来的一种和声编码系统入手，客观地将和声编码为一系列和声音程组合和旋律低音步骤，提出了一种类似的具有附加助记性的和声速写。这一速记可用于声调和声的描述和教学。此外，还概述了它在现代格式塔音乐知觉理论范围内的应用，该理论专注于学习和识别和声和旋律音程的模式。
Although in the last decades the traditional theory of harmony in tonal music has often been sharply criticized, it is still in use and a better alternative has not yet been elaborated. Since it is used today mainly for the purpose of describing and teaching tonal harmony, a modern alternative should offer, above all, a better method of describing any succession of harmonies. Starting from a recently evolved system of encoding harmony objectively as a succession of harmonic interval combinations and melodic bass steps, a similar shorthand writing of harmonies with additional mnemonic qualities is suggested. This shorthand may be used in describing and teaching tonal harmony. Moreover, its use within the scope of a modern Gestalt theory of musical perception concentrating on the learning and recognizing of patterns of harmonic and melodic intervals is outlined.