Auditory-Tactile Music Perception
Auditory-Tactile Music Perception
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听觉触觉音乐感知
DOI：
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发表时间：
2014
期刊：
影响因子：
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通讯作者：
M. E. Altinsoy
中科院分区：
文献类型：
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作者：
S. Merchel;M. E. Altinsoy
声音和振动的耦合感知是现场流行音乐会或管风琴音乐会期间的已知现象。然而，即使在古典音乐厅的交响音乐会上，声音也能在身体表面激发可感知的振动。音乐会的观众可能不会意识到这些振动，因为触觉感受器与其他感官整合成一个多模态感受器。本文讨论了在音乐会录音的再现过程中，全身振动对听众体验的影响。从古典和现代音乐中选择四个序列，其包括低频内容（例如，管风琴、定音鼓、低音提琴）。选择1.5分钟的刺激长度以提供足够的时间用于习惯化。使用环绕设置再现音频信号。音频信号产生了额外的座椅振动。测试参与者被要求对音乐会体验的整体质量进行评分。结果表明，振动对振动的影响是显著的。
The coupled perception of sound and vibration is a known phenomenon during live pop or organ concerts. However, even during a symphonic concert in a classical hall, sound can excite perceivable vibrations at the body surface. The concert visitor might not be aware of those vibrations, because the tactile percept is integrated with the other senses into one multi-modal percept. This article discusses the influence of whole-body vibrations on the listener experience during the reproduction of concerts recordings. Four sequences were selected from classical and modern music, which include low frequency content (e.g., organ, kettledrum, contrabass). A stimulus length of 1.5 minutes was chosen in order to provide enough time for habituation. The audio signal was reproduced using a surround setup. Additional seat vibrations have been generated from the audio signal. Test participants were asked to rate the overall quality of the concert experience. The results show that vibrations have a significant influence o...