Dragging rights, queering publics: realness, self-fashioning and the Miss Gay Western Cape pageant

Dragging rights, queering publics: realness, self-fashioning and the Miss Gay Western Cape pageant
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拖拉权利、酷儿公众:真实性、自我塑造和西开普省同性恋小姐选美比赛

DOI:
10.1080/17533171.2016.1270014
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发表时间:
2017
期刊:
影响因子:
0.4
通讯作者:
Lease B
Lease B
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--
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--
作者:
Lease B

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作为对少数民族社会状况重大变化的回应,西开普同性恋小姐(MGWC)年度选美比赛在开普敦几乎是在1996年南非新宪法制定后同性恋和变性人权利发生变化后立即开始的。在过去的二十年里,MGWC已经成为西开普省最公开可见和最受欢迎的变装盛会。在这篇文章中,我追溯了选美比赛--其目的是为有色人种的同性恋者提供一个平台,让他们在一个安全的环境中表演,而不受剥削--是如何带来一些复杂的运动的:穿过城市景观,在较贫穷的周边郊区之间(Cape Flats,Atlantis)和以白城为主的市中心;在性别身份之间,从一个流动的和表演的概念拖动到跨性别身份的故意固定;从当地的表演环境到全球现象的强大影响力RuPaul的Drag Race,这是一个美国真人秀电视节目,演员们争夺“美国下一个变装巨星”的称号。
As a response to significant changes in social conditions for minorities, the Miss Gay Western Cape (MGWC) annual pageant started in Cape Town almost immediately after the change in rights for homosexual and transgendered people that came with the establishment of the new South African constitution in 1996. Over the past two decades, the MGWC has become the most publicly visible and well-attended drag pageant in the Western Cape. In the article, I trace how the pageant – whose aim is to provide a platform for queers of color to perform in a secure environment without exploitation – entails a number of complex movements: across the urban landscape, between poorer peripheral suburbs (Cape Flats, Atlantis) and the predominantly white city center; among and between gender identities, from a fluid and performative conception of drag to the intentional fixity of trans identities; from local performance contexts to the powerful influence of the global phenomenonRuPaul’s Drag Race, a US reality television program in which performers compete for the title “America’s next drag superstar.”
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