A Breathing Space for Aesthetics and Politics: An Introduction to Jacques Rancière
A Breathing Space for Aesthetics and Politics: An Introduction to Jacques Rancière
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美学与政治的喘息空间：雅克·朗西埃简介
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发表时间：
2014
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通讯作者：
N. Papastergiadis
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作者：
N. Papastergiadis
雅克·朗西埃是当代美学与政治争论的中心人物之一。这一介绍映射了朗西埃的写作重点从政治理论到当代艺术实践的转变，也追溯了对平等和创造性思想的持久兴趣。它将朗西埃丰富的著作与哲学家阿兰·巴迪欧、艺术史学家特里·史密斯和人类学家乔治·E.马库斯我认为，朗西埃提供了一个独特的方法，在这个广泛的领域，通过澄清的特殊性，艺术家的任务，在生产的关键和创造性的转变，或他所谓的“分配的敏感”。最后，我补充朗西埃的调用，打破了对立的范式，其中政治和美学通常是有限的概述了一些进一步的方法论技术，解决当代艺术。
Jacques Rancière is one of the central figures in the contemporary debates on aesthetics and politics. This introduction maps the shift of focus in Rancière’s writing from political theory to contemporary art practice and also traces the enduring interest in ideas on equality and creativity. It situates Rancière’s rich body of writing in relation to key theorists such as the philosopher Alain Badiou, art historian Terry Smith and anthropologist George E. Marcus. I argue that Rancière offers a distinctive approach in this broad field by clarifying the specificity of the artist’s task in the production of critical and creative transformation, or what he calls the ‘distribution of the sensible’. In conclusion, I complement Rancière’s invocation to break out of the oppositional paradigm in which the political and aesthetic are usually confined by outlining some further methodological techniques for addressing contemporary art.