LIVES OF SAINTS.
LIVES OF SAINTS.
复制标题
圣人的生活。
DOI：
10.1111/j.1467-968x.1858.tb00588.x
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发表时间：
1858
影响因子：
0.3
通讯作者：
Stuart Dunstan
中科院分区：
文献类型：
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作者：
Stuart Dunstan
《圣徒的生活》是一部长篇多故事电影剧本，探讨了三位主角乔治、克里斯汀和玛丽安在自我实现的斗争中所遇到的障碍和道德困境。电影剧本是围攻类型的一个例子。它在很大程度上是作为一个顺序叙事结构，但也利用非线性叙事。这部作品探讨了一个前提，即圣人是一个既忠于自我又忠于自己责任的人。主角们的旅程开始于一个年轻女孩罗塞塔的死亡，她与他们所有人都有联系。每个主人公都以自己的方式回应这一事件，并开始寻找更令人满意的生活方式和自我表达的自由。中年的乔治探讨了新兴的性别和性问题。青春期的克里斯汀发现她对上帝和母亲的信仰正在减弱，但没有什么可以取代它们。玛丽安，杀死罗塞塔的汽车司机，最初决定避免对死亡负责，但最终在这样做中找到了自己的解放。乔治和赛尔夫也与他们的家人发生了冲突。玛丽安也是如此，尽管周围的人有能力并允许考虑自我和一个学术评论之间的新平衡的空间，但他们还是有可能为圣徒的生活提供影响和写作过程。对伦理哲学的探索，特别是对基督教、古希腊和印度教的探索，是剧本前提发展和创造特定角色伦理世界的重要一步。理解圣徒身份在不同宗教中的意义以及作为一个世俗概念的意义也很重要。叙述结构的选择进行了讨论;在写作过程中的各个阶段和挑战本身;并在电影类型方面的工作的理解也给出了。评论还详细介绍了作品中图像的使用，并将剧本置于二战后电影文化的背景下。
Lives of the Saints is a feature-length, multi-story film screenplay, which explores the obstacles and ethical dilemmas of three protagonists, George, Kristine and Marianne, in their struggle for self actualisation. The screenplay is an example of the siege genre. It is largely structured as a sequential narration but also utilises non-linear narration. The work explores the premise that a saint is one who remains true both to the self and to their responsibilities. The protagonists' journeys begin with the death of a young girl, Rosetta, who has a connection to them all. Each protagonist responds to this event in his/her own way and embarks upon a search for a more satisfying way of life, and for freedom of self-expression. Middle-aged George explores emerging gender and sexuality issues. Adolescent Kristine finds her faith in God, and in her mother, waning but has nothing to replace them with. Marianne, the driver of the car that killed Rosetta, is initially determined to avoid responsibility for the death, but ultimately finds her own liberation in doing so. George and self also them in conflict with their families. Marianne too, odds with those around however able to and allow room for consideration of a new balance between self and An academic commentary outlines the influences and writing process for Lives of the Saints . An exploration of ethical philosophy, specifically Christian, Ancient Greek and Hindu, was an important step in the development of the screenplay's premise and in the creation of the ethical worlds of particular characters. An understanding of sainthood, across religions and as a secular concept, was also important. The choice of narrative structure is discussed; the various stages and challenges in the writing process itself; and an understanding of the work in terms of film genre are also given. The commentary also details with the use of image in the work and places the screenplay in the context of a post World War Two film culture.