Characteristics of Criticized Objects in Critiques of Comprehensive Works of Art: Quantitative analysis of Movie and Theater Critiques
Characteristics of Criticized Objects in Critiques of Comprehensive Works of Art: Quantitative analysis of Movie and Theater Critiques
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DOI：
10.2964/jsik.22_203
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发表时间：
2012
期刊：
影响因子：
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通讯作者：
H. Murai;Takanori Kawashima
中科院分区：
文献类型：
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作者：
H. Murai;Takanori Kawashima
本研究的目的是通过对批评对象的定量分析，为批评的科学分析奠定基础。本研究以电影、戏剧这一整体艺术作品为研究对象，提取与批评对象相关的名词。抽取的词汇分为30类，并通过卡方检验，对电影和戏剧的评价元素进行分析。虽然电影中存在着对某个个体的集中描写，但戏剧中也存在着分散描写的特点。同时，为了揭示这些类别之间的关系，使用因子分析对这些类别进行了分析。结果，提取了电影和戏剧中“导演”和“表演”的细微差别。最后，利用n-gram分析方法提取类别的序列模式。N-gram分析表明，电影批评逻辑的核心要素是“故事”，而戏剧批评逻辑的核心要素是“表演”。
The purpose of this research is to build a basis for scientific analysis of critiques, by utilizing quantitative analysis for objects of critiques. Critiques about movie and theater, which are total work of arts, were selected as target, and nouns which related to objects of criticisms were extracted. Extracted words were categorized in 30 categories, and through chi-square test, evaluated elements of movie and theater were analyzed. Though there are concentrated descriptions about some individual in movie, there are characteristics of distributed descriptions in theater. Also in order to reveal relationships of those categories, those categories were analyzed using factor analysis. As a result, the differences of nuances about "director" and "acting" in movie and theater were extracted. At last, n-gram analysis is applied to extract serial patterns of categories. N-gram analysis revealed that core elements of critique logic were "story" in case of movie, but those elements were "acting" in case of theater.