8 – Absolute Pitch
8 – Absolute Pitch
复制标题
8 – 绝对音高
DOI：
10.1016/b978-012213564-4/50009-3
复制
发表时间：
1999
影响因子：
1.7
通讯作者：
J. Crozier
中科院分区：
文献类型：
--
作者：
J. Crozier
音乐家普遍认为音乐天赋的终极是拥有“绝对音高”（AP），也称为“完美音高”或“正音高”：识别特定音调的频率或音乐名称的能力，或者相反，在不将音调与任何客观参考音进行比较（即不使用相对音高）的情况下产生某些指定频率、频率水平或音高的能力。假设我们向个人呈现以下频率序列：260、260、290、330、260、330、290 Hz，并询问“那是什么？” “音盲”[或更确切地说，“旋律聋”（Trotter，1967）]的人倾向于用比“一堆音调”更具体的东西来回答。美国非音乐家的中位数可能会回答“Yankee Doodle”（曲调的识别），尽管许多人可能从小学就记得足够多，并补充说它是“do，do，re，mi，do，mi，re”（视唱练耳的识别）。典型的表演音乐家可以做到所有这些
The ultimate in musical endowment is commonly regarded by musicians to be the possession of “absolute pitch”(AP), also called “perfect pitch” or “positive pitch”: the ability to identify the frequency or musical name of a specific tone, or, conversely, the ability to produce some designated frequency, frequency level, or pitch without comparing the tone to any objective reference tone (ie, without using relative pitch). Suppose we present to an individual the following sequence of frequencies: 260, 260, 290, 330, 260, 330, 290 Hz and ask" What was that?" Individuals who are “tone-deaf"[or better,“melody-deaf”(Trotter, 1967)] are apt to answer with something no more specific than “a bunch of tones." The median American nonmusician will probably answer" Yankee Doodle"(identification of tune), although many may remember enough from grade school to add that it was “do, do, re, mi, do, mi, re"(identification of solfeggio). The typical performing musician can do all of that and