Shakespeare in Hollywood, Asia, and Cyberspace
Shakespeare in Hollywood, Asia, and Cyberspace
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莎士比亚在好莱坞、亚洲和网络空间
DOI：
10.2307/j.ctt6wq2cr
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发表时间：
2009
期刊：
影响因子：
--
通讯作者：
C. Ross
中科院分区：
文献类型：
--
作者：
Alexander C. Y. Huang;C. Ross
“莎士比亚在好莱坞、亚洲和网络空间”--亚历山大C. Y编辑。Huang和Charles S.罗斯-向读者展示了亚洲的思想如何在莎士比亚的表演中运作，以及亚洲和盎格鲁-欧洲的文化生产形式如何联合收割机超越了专注于忠诚的探究模式。其结果是一种新的创造力，在不同的文化和虚拟场所找到表达，包括最近的电影和MMOG（大型多人在线游戏），如“雅顿：莎士比亚的世界。“这本书中的论文为这些现代发展提供了背景，展示了莎士比亚如何成为亚洲和西方文化定义-并继续定义-自己的能指的历史。好莱坞电影和世纪来亚洲人对哈姆雷特和麦克白等戏剧的解读，现在正结合在网络空间中，使我们对莎士比亚的体验大不相同。该领域专家的论文介绍了屏幕和舞台的多样化化身和大胆序列，近几十年来产生了莎士比亚伟大喜剧和悲剧的新版本以及体验它们的新方式。作者在收集的第一部分研究身体政治和种族在好莱坞真人电影电影技术和补充第二部分，其中真人的阅读和舞台在中国，印度尼西亚，柬埔寨，日本，冲绳，台湾，马来亚，韩国和香港的历史进行了讨论。第三部分的论文分析了莎士比亚思想在网络空间的转变，这是一个迅速扩大的莎士比亚和/或亚洲新改写的世界。总之，这三个部分的比较研究显示亚洲文化和莎士比亚如何相互影响，一种文化是如何翻译到另一个，以及如何亚洲和盎格鲁-欧洲的代表模式的组合正在决定我们如何看待莎士比亚戏剧的未来。
"Shakespeare in Hollywood, Asia and Cyberspace" - edited by Alexander C.Y. Huang and Charles S. Ross - shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and MMOGs (Massively Multiplayer Online Games) such as "Arden: The World of Shakespeare." The papers in the volume provide a background for these modern developments showing the history of how Shakespeare became a signifier against which Asian and Western cultures defined - and continue to define - themselves. Hollywood films and a century of Asian readings of plays such as Hamlet and Macbeth are now conjoining in cyberspace making a world of difference to how we experience Shakespeare. The papers by experts in the field provides an introduction to the diverse incarnations and bold sequences of screen and stage that in recent decades have produced new versions of Shakespeare's great comedies and tragedies and new ways of experiencing them. Authors in the first part of the collection examine body politics and race in Hollywood Shakespearen films film techniques and complement the second part in which the history of Shakespearen readings and stagings in China, Indonesia, Cambodia, Japan, Okinawa, Taiwan, Malaya, Korea, and Hong Kong are discussed. Papers in the third part of the volume contain analyses of the transformation of the idea of Shakespeare in cyberspace, a rapidly expanding world of new rewritings of both Shakespeare and/in Asia. Together, the three sections of this comparative study show how Asian cultures and Shakespeare affect each other, how one cultural is translated to another, and how the combination of Asian and Anglo-European modes of representation are determining the future of how we see Shakespeare's plays.