Sound diaries: a method of listening to place
Sound diaries: a method of listening to place
复制标题
声音日记：一种聆听地点的方法
DOI：
--
复制
发表时间：
2011
期刊：
影响因子：
--
通讯作者：
G. Waitt
中科院分区：
文献类型：
--
作者：
M. Duffy;G. Waitt
本文发展了一种方法来理解人与地方之间的关系是如何通过音乐和声音共同构成的。本文以新南威尔士州Bermagui的四风音乐节为例，讨论了我们使用“声音日记”作为一种手段来更好地理解声音在参与者对地点的理解中的作用。在我们的讨论中，重点是我们的实验方法如何克服研究所谓的“健全地理学”的一些固有问题。声音日记提供了一种可能的技术，可以对声音和音乐引发的具体知识提供部分见解。在这些个人解释和它们的归属意义中编织着更普遍的主题，涉及音景的概念、倾听的实践、声音在地方和身份的相互构成中的作用，以及与声音和音乐有关的地方制造实践的具体基础。只有在过去的十年左右，地理学家才开始明确地考虑声音质量在他们对社会和空间的分析中的重要性（Smith 2000）。地理学家不能再忽视音乐和声音的体验，因为这门学科越来越关注感官身体，以帮助理解日常空间。倾听练习要求思考不仅仅是代表地点，而是作为一种通过身体锻造地点的实践（Smith 2000）。然而，研究这一点是困难的，因为我们对声音的反应是短暂的，很难用语言表达出来如何研究地方的音质？本文论述了达菲和维特•声音日记119以太卷第七，119 - 136,2011年1月©版权所有2011，地理研究中心•加州州立大学，北山声音日记：一种倾听地方的方法
This paper develops a methodology for understanding how relations between people and place are co-constituted through music and sounds. Using the case of Four Winds Festival Bermagui, New South Wales, the paper discusses our use of “sound diaries” as a means to better understand the role of sound in participants’ understanding of place. Highlighted within our discussion is how our experimental methodology overcomes some of the inherent problems of researching so-called “sound geographies.” Sound diaries provide a possible technique to provide partial insights into the embodied knowledge triggered by sounds and music. Woven within these personal interpretations and their attributed meanings are more general themes concerning the concept of soundscapes, practices of listening, the role of sound in the mutual constitution of place and identities, and the embodied underpinnings of place-making practices in relation to sound and music. Introduction Only in the last decade or so have geographers started to explicitly consider the importance of sonic qualities in their analysis of society and space (Smith 2000). Geographers could no longer ignore the experience of music and sounds given the growing attention in the discipline to the sensual body to help understand everyday spaces. Listening practices demands thinking not just in terms of representing places but as a practice that forges places through bodies (Smith 2000). Yet, to investigate this is difficult, because our responses to sound are transient and difficult to articulate in words.1 How to research the sonic qualities of place? This paper addresses the Duffy & Waitt • Sound Diaries 119 Aether Vol. vii, 119–136, January 2011 © Copyright 2011, The Center for Geographic Studies • California State University, Northridge Sound Diaries: A Method for Listening to Place