The Extraction of Expressive Shaping in Performance
The Extraction of Expressive Shaping in Performance
复制标题
表演表现力塑造的提炼
DOI：
10.1162/01489260360613335
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发表时间：
2003
影响因子：
--
通讯作者：
G. Mazzola
中科院分区：
文献类型：
--
作者：
S. Arisona;G. Mazzola
计算机音乐杂志，27：1，pp。47-58，2003年春季，2003年马萨诸塞州理工学院。在Mazzola和Zahorka（1994 a）中，给出了从符号分数空间S到相应的物理空间P的性能变换的一般理论。该变换可以由性能向量场表示，该性能向量场概括了性能的克里思曲线的众所周知的层次结构。这一理论已被实现为一个模块的音乐研究软件RUBATO（马佐拉和Zahorka 1994年b），并已成功地应用于古典作品的表现。Stange-Elbe（1999）进行了J. S.巴赫的《赋格之艺术》与鲁巴托合作，其结果已在IRCAM的狄德罗数学与音乐会议上发表（Mazzola 2002 c）。最初的理论处理的是从给定的分数和给定的表演场构造表演。在这篇文章中，我们解决的问题，逆性能（马佐拉1995年），以及如何表达塑造可以从一个给定的性能提取。这个问题可以分为两个部分：第一，匹配符号和性能事件的问题，第二，匹配后的性能字段的计算。在先前的文献中，匹配问题已经被广泛讨论（例如，Dannenberg，1984; Vercoe，1984; Puccident and利佩，1992; Heijink et al.，2000）。性能场的计算方法和提取的表现性造型的可视化是新的，因此在本文中得到了主要关注。EspressoRubette是实现本文所述理论的一个软件模块。该模块能够处理表演（例如，录音）并使计算的矢量场在真实的时间内可视化。我们将讨论EspressoRubette的结构，并给出场插值和可视化的原则。文章最后给出了性能字段可视化的示例。表达性塑造：表达的无限小视角
Computer Music Journal, 27:1, pp. 47–58, Spring 2003 2003 Massachusetts Institute of Technology. In Mazzola and Zahorka (1994a), a general theory of performance transformations from a symbolic score space S to a corresponding physical space P was given. The transformation can be represented by performance vector fields that generalize the well-known hierarchies of tempo curves of a performance. This theory has been implemented as a module in the music research software RUBATO (Mazzola and Zahorka 1994b) and has been successfully applied to the performance of classical compositions. Stange-Elbe (1999) has performed Contrapunctus III of J. S. Bach’s Die Kunst der Fuge with RUBATO, and the results have been presented at the Diderot Conference on Mathematics and Music at IRCAM (Mazzola 2002c). The original theory dealt with the construction of a performance from a given score and a given performance field. In this article, we address the question of inverse performance (Mazzola 1995) and how expressive shaping can be extracted from a given performance. The problem can be split into two parts: first, the problem of matching symbolic and performance events, and second, the calculation of the performance field after matching has been performed. In previous literature, the matching problem has been extensively discussed (e.g., Dannenberg 1984; Vercoe 1984; Puckette and Lippe 1992; Heijink et al. 2000). The approach to calculation of the performance field and the visualization of the extracted expressive shaping are new and thus receive main focus throughout this article. EspressoRubette is a software module that realizes the theory given in this article. The module is able to process a performance (e.g., a MIDI recording) and visualize the calculated vector field in real time. We will discuss the structure of EspressoRubette and give the field interpolation and visualization principles. The article concludes with examples of visualization of performance fields. Expressive Shaping as an Infinitesimal View on Expression