Rearticulating Cultural Hybridity: The Golden Bough Performance Society and The Lady Knight-Errant of Taiwan – Peh-sio-lan
Rearticulating Cultural Hybridity: The Golden Bough Performance Society and The Lady Knight-Errant of Taiwan – Peh-sio-lan
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重新表达文化混杂：金枝表演社与台湾游侠 – 白秀兰
DOI：
10.1017/s0307883310000696
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发表时间：
2010
影响因子：
0.1
通讯作者：
Peilin Liang
中科院分区：
文献类型：
--
作者：
Peilin Liang
金枝剧团成立于1993年，是台湾最重要的当代剧团之一，致力于戏剧的非殖民化和本土化。本文以该公司迄今为止最重要的作品之一《台湾女游侠——白小兰》为例，探讨了文化混合如何影响该公司的美学、哲学和实践，从而为非殖民化和赋权创造了一个有效的宣讲网站。
Founded in 1993, the Golden Bough Performance Society is one of Taiwan's foremost contemporary theatre companies, dedicated to decolonizing and localizing the theatre scene. Taking one of the company's most significant works to date, The Lady Knight-Errant of Taiwan – Peh-sio-lan, this article examines how cultural hybridity has come to inform the company's aesthetics, philosophy and practice in ways that serve to create an effective enunciatory site for the purposes of decolonization and empowerment.