“Hell, what a chance to have a go at the classics”: Tove Jansson’s take on Alice’s Adventures in Wonderland, The Hunting of the Snark, and The Hobbit
“Hell, what a chance to have a go at the classics”: Tove Jansson’s take on Alice’s Adventures in Wonderland, The Hunting of the Snark, and The Hobbit
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“天哪，这真是一个尝试经典的机会”：托芙·詹森 (Tove Jansson) 对《爱丽丝梦游仙境》、《狩猎蛇鲨》和《霍比特人》的看法
DOI：
10.14811/clr.v37i0.191
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发表时间：
2014
期刊：
影响因子：
--
通讯作者：
Olga Holownia
中科院分区：
文献类型：
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作者：
Olga Holownia
摘要：托芙·詹森 (Tove Jansson) 最著名的是姆明世界的创造者，其中包括长篇小说、短篇故事、图画书和连环漫画。然而，在 1958 年至 1966 年间，她创作了一百多幅插图，对三部英国经典作品进行了新颖而独特的诠释。除了一个例外，四十多年来，这些版本都没有在瑞典和芬兰以外的地区重印。本文参考原始插图和她自己的作品，探讨了 Jansson 视觉翻译的选定方面。它建议将这些委员会视为遵循她 1961 年文章“Den lomska barnboksforfattaren”（“欺骗儿童的作者”）中表达的一些想法，特别是关于“恐怖”和“伪装”的元素。此外，通过将这些插图视为一个持续开发的项目，本文追溯了艺术家宣布脱离姆明风格所使用的策略。关键词：爱丽丝梦游仙境；捕猎蛇鲨；霍比特人；插图；经典；无意义的文学；幻想;视觉翻译
Abstract: Tove Jansson is above all known as the creator of the Moomin world which includes novels, short stories, picture-books and comic strips. Between 1958 and 1966, however, she produced over a hundred illustrations offering a novel and idiosyncratic take on three English classics. With one exception, for over four decades these editions were not reprinted outside of Sweden and Finland. This article examines selected aspects of Jansson’s visual translations with references to the original illustrations and her own works. It proposes to consider these commissions as following some of the ideas expressed in her 1961 essay “Den lomska barnboksforfattaren” (“The Deceitful Children’s Author”), especially with regard to elements of “horror” and “the disguised”. Furthermore, by treating these illustrations as one consistently developed project, this article traces the strategies the artist used for her declared dissociation from the Moomin style. Keywords: Alice’s Adventures in Wonderland ; The Hunting of the Snark ; The Hobbit ; illustrations; classics; nonsense literature; fantasy; visual translations