Experimental Methods in Tonality Induction Research: A Review
Experimental Methods in Tonality Induction Research: A Review
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调性归纳研究的实验方法：回顾
DOI：
10.2307/40285827
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发表时间：
2000
期刊：
影响因子：
--
通讯作者：
P. G. Vos
中科院分区：
文献类型：
--
作者：
W. Auhagen;P. G. Vos
本文对目前在调性诱导实验研究中所使用的各种方法进行了批判性的和比较性的回顾。首先，我们处理在选择主题的陷阱，特别是集中在比较有经验的和经验不足的听众的问题。接下来，我们将讨论一些关于刺激选择的困境。特别是，我们比较了使用真实的音乐刺激的（缺点）优点与人工刺激的（缺点）优点，在后一类中区分原型刺激（例如，和弦或音阶片段）和音调复杂或甚至多音调刺激。最后，我们考虑各种可能的实验范例的（缺点）的优点，特别是生产的主音和音调中心，探测音范例，和音调等级。对于这三个方法论子领域，我们提出了改进建议。
A critical and comparative review of the various methods currently used in experimental studies of tonality induction is presented. First, we deal with pitfalls in the selection of subjects, specifically focusing on the issue of contrasting more-experienced and less-experienced listeners. Next, we discuss some dilemmas with respect to the selection of stimuli. In particular, we compare the (dis) advantages of using real music stimuli with the (dis) advantages of artificial stimuli, distinguishing in the latter category between prototypical stimuli (e.g., chords or scale fragments) and tonally complex or even polytonal stimuli. Finally, we consider the (dis) advantages of various possible experimental paradigms, notably the production of a tonic and tonal center, the probe-tone paradigm, and tonality rating. For each of the three methodological subdomains, we propose recommendations for improvement.