Documenting Trauma in Comics - Traumatic Pasts, Embodied Histories, and Graphic Reportage
Documenting Trauma in Comics - Traumatic Pasts, Embodied Histories, and Graphic Reportage
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用漫画记录创伤——创伤性的过去、具体的历史和图文报道
DOI：
10.1007/978-3-030-37998-8_5
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发表时间：
2020
期刊：
影响因子：
--
通讯作者：
McNicol S
中科院分区：
文献类型：
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作者：
McNicol S
根据艾弗里·戈登（Avery Gordon）的定义，社会困扰是一种感觉，即一切都不像它看起来的那样;某些事情正在发生，而我们的经验感官无法检测到。对戈登来说，社会幽灵是“挥之不去的麻烦的提醒”，它告诉我们“被隐藏的东西是非常活跃和存在的”（幽灵的事情：困扰和社会学想象。Minnesota：University of Minnesota Press，1997：xvi）.本章借鉴了两个项目的调查结果告知社会困扰的概念，并涉及工作与两个截然不同的群体在英格兰北部北方：第一个从传统的工人阶级社区受去工业化和第二组移民妇女谁来到英国从孟加拉国。虽然这些群体的经历在许多方面不同，但两个项目都使用漫画创作的各个方面来制作图形叙事，这些图形叙事在某种程度上代表了对参与者生活产生影响的创伤或令人不安的事件。
Social haunting, as defined by Avery Gordon, is the sense that all is not as it seems; that something is happening that cannot be detected by our empirical senses. For Gordon, social ghosts are ‘haunting reminders of lingering trouble’ that notify us that ‘what’s been concealed is very much alive and present’ (Ghostly Matters: Haunting and the Sociological Imagination. Minnesota: University of Minnesota Press, 1997: xvi). This chapter draws on findings from two projects informed by the notion of social haunting, and which involved working with two contrasting groups in northern England: the first from a traditional working class community affected by deindustrialisation and the second a group of migrant women who have come to the UK from Bangladesh. While the experiences of these groups differ in many ways, both projects used aspects of comics creation to produce graphic narratives that in some way represent traumatic or unsettling events that have had an impact on participants’ lives.