Paula Trope and the Meninos do Morrinho
Paula Trope and the Meninos do Morrinho
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保拉·特罗普 (Paula Trope) 和莫里尼奥 (Meninos do Morrinho) 一家
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发表时间：
2006
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通讯作者：
Gabriela Rangel
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作者：
Gabriela Rangel
Paula Trope于1962年出生于里约热内卢，目前在那里生活和工作，她制作了一系列照片和视频，深深致力于巴西的社会政治结构。1990年，Trope在UFF（Universidade联邦Fluminense，Niterói，Rio de Janeiro）学习电影，并于1999年在圣保罗大学完成了图像和声音的技术和诗学硕士学位。2004年，她获得了著名的Marcantonio Vilaça奖，今年秋天将参加圣保罗双年展。特洛普是在概念艺术运动之后成长起来的，和她那一代的许多艺术家一样，她的作品受到了埃利奥·奥蒂西卡、西尔多·梅雷莱斯和米格尔·里奥·布兰科的影响。在她最近的一个项目"保拉·特鲁普和梅尼诺斯·多·莫里尼奥“（保拉·特鲁普和莫里尼奥斯项目的孩子们）中，特鲁普用锡罐制作了针孔相机，以强调她的图像对一次性和康复概念的依赖。这些照片是与来自里约贫民窟边缘地区的青少年共同制作的，这些青少年被现代社会所抛弃 *，特罗普随机选择了他们，并将他们转变为作者和代理人。通过这种图像制作过程，特鲁普旨在将“他者”的概念插入到更大的摄影现实主义和作者身份的辩论中。由美洲协会视觉艺术部与大卫洛克菲勒拉丁美洲研究中心共同组织的“保拉·特鲁普和梅尼诺·多·莫里尼奥”将于2007年春季在美洲协会开幕。它由DRCLAS策展人José Falconi和美洲协会视觉艺术总监Gabriela Rangel策划。这次采访，艺术家和加布里埃拉·兰格尔之间，通过电子邮件进行，2006年5月至6月。《美洲文学与艺术》，2006年第73期，第39卷，第2期，277 283
Born in 1962 in Rio de Janeiro, where she currently lives and works, Paula Trope has produced a body of photographs and videos deeply committed to the Brazilian sociopolitical fabric. Trope studied film at UFF (Universidade Federal Fluminense, Niterói, Rio de Janeiro) in 1990 and completed a Master’s degree in Techniques and Poetics of Image and Sound at the University of São Paulo in 1999. In 2004, she received the prestigious Marcantonio Vilaça Award, and this fall will participate in the São Paulo Biennial. Trope came of age after the Conceptual art movement and, as with many artists of her generation, her work is informed by that of Hélio Oiticica, Cildo Meireles, and Miguel Rio Branco. In her most recent project, ‘‘Paula Trope and the Meninos do Morrinho’’ (Paula Trope and the Kids from the Morrinhos Project), Trope built pinhole cameras out of tin cans to stress the reliance of her images on notions of disposability and recuperation. The photographs were co-produced with adolescents from the favelas marginal areas in Rio, discarded from modern society*whom Trope selected randomly and transformed into authors and agents. Through this process of image-making, Trope aims to insert the notion of ‘‘the other’’ into the larger debate of photorealism and authorship. ‘‘Paula Trope and the Meninos do Morrinho,’’ organized by the Visual Arts Department of the Americas Society in conjunction with the David Rockefeller Center of Latin American Studies, will open at the Americas Society in Spring 2007. It has been curated by José Falconi, Curator at the DRCLAS, and Gabriela Rangel, Director of Visual Arts at the Americas Society. This interview, between the artist and Gabriela Rangel, took place via e-mail, May-June 2006. Review: Literature and Arts of the Americas, Issue 73, Vol. 39, No. 2, 2006, 277 283