Sampling Politics
Sampling Politics
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政治抽样
DOI：
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发表时间：
2021
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通讯作者：
M. Franklin
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文献类型：
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作者：
M. Franklin
这本书是对音乐采样的地理文化政治的探索。每一章深入到一个案例研究轨道，或更大的工作，从内到外的样本开始，在工作的核心。我们的目标是解开采样和采样材料如何在其制作，分发和接收的政治，经济和社会文化背景的变化，因为一起工作。将采样视为音乐的一种材料，而不仅仅是一种数字技术或局限于一种音乐制作，解决了音乐（任何类型）与当时政治（通常是进步的社会运动）之间关系研究中未被探索的维度。这是一种倾向，集中在歌词作为所有的政治意义所在。但这忽视了如何采样，或借鉴别人的音乐，甚至自己的，也可以是一个政治行为，即使这不是意图。基于广泛的档案研究，近距离聆听的音乐分析，以及对艺术家或他们的遗产的采访，每项研究都提供了聆听，（再次）聆听的方法，从而更多地了解每件作品如何作为采样和采样音乐制作，根据自己的音乐文化术语工作。公共记录中的一些错误，对一些作品和艺术家的误解，根据关于音乐采样的创造性，法律的和文化遗产的辩论，作为“借用”，“挪用”，甚至“盗窃”，得到了纠正。
This book is an exploration of the geocultural politics of music sampling. Each chapter delves into one case study—a track, or larger work—from the inside out by starting with the samples that are at the heart of the work. The objective is to unpack how sampled and sampling material work together in light of shifts in the political, economic, and sociocultural contexts of their making, distribution, and reception since. Considering sampling as a material of music, not simply a digital technique or restricted to one sort of music making, addresses an under-explored dimension in studies of the relationship between music (any sort) and politics of the day (usually progressive, social movements). This is a tendency to concentrate on the lyrics as where all the political meaning lies. But this overlooks how sampling, or borrowing from the music made by others, even one’s own, can also be a political act even when this is not the intention. Based on extensive archival research, close-listening musical analysis, and interviews with artists or their estates, each study provides ways to listen, hear (again), and so learn more about how each piece, as sampled and sampling music making, work, on its own musico-cultural terms. Some errors in the public record, misperceptions about some of the works and artists who feature, are corrected in light of debates over the creative, legal, and cultural legacy of music sampling as either “borrowing,” “appropriation,” or even “theft.”