Anthropophagy and Translation
Anthropophagy and Translation
复制标题
食人与翻译
DOI：
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发表时间：
2010
期刊：
影响因子：
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通讯作者：
Alice Leal
中科院分区：
文献类型：
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作者：
Alice Leal
食人是19世纪末20世纪初欧洲艺术的一个关键概念，其中心是“高贵的野蛮人”的形象。同样，它成为巴西现代主义的象征，尽管它在欧洲有相反的内涵。对于巴西艺术家来说，“邪恶野蛮人”的形象代表了第一次创造“真正的”巴西艺术的全国性和公开的尝试。在这篇文章中，我打算分析20世纪初欧洲先锋派和差不多同一时期巴西先锋派的食人论。最后，我将简要地看看这个概念的重要性（缺乏）-嵌入在后结构主义语境中-在巴西的翻译理论和实践中获得。因此，我的主要目的是双重的。一方面，我想展示食人的概念是如何从欧洲主题逐渐转变为巴西主题的。另一方面，我打算证明，无论这一主题在过去几年中多么重要（特别是就文学和民族认同而言），它并不反映巴西的翻译研究领域-不像巴西以外的地方经常假设的那样。3
Anthropophagy was a key concept in the European arts of the late 19 th and early 20 th centuries, with the image of the “noble savage” at its centre. Similarly, it became emblematic of Brazilian Modernism, though with the opposite connotation it had in Europe. For Brazilian artists, it was the image of the “evil savage” that represented the first national and overt attempt to create “truly” Brazilian art. 2 Later, these notions of cannibalism and anthropophagy had a great impact on translation, with the Noigrandes at its forefront. In the present article, I intend to analyse the notion of Anthropophagy in both the European avant-gardes of the early 20 th century and the Brazilian avant-gardes of more or less the same period. Finally, I will briefly look at the (lack of) importance this concept – embedded in a poststructuralist context – acquired within translation theory and practice in Brazil. Therefore, my main aim is twofold. On the one hand, I want to show how the notion of Anthropophagy gradually changed from a European to a Brazilian motif. On the other hand, I intend to demonstrate that, however important this motif may have been in previous years (particularly as far as literature and national identity are concerned), it does not reflect the field of Translation Studies in Brazil – unlike what is often assumed outside Brazil. 3
马克思和恩格斯《共产主义政党宣言》的总体论述
DOI：
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发表时间：
2005
期刊：
Discussion Paper on Political Economy(発行:東北大学大学院経済学研究科) No.34
影响因子：
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作者：
Shunichi Kubo;Michio Akama;Valerij Fomichev
通讯作者：
Valerij Fomichev