'Patterns of Ecological and Aesthetic Co-evolution': Tree-guitars, River-violins and the Ecology of Listening
'Patterns of Ecological and Aesthetic Co-evolution': Tree-guitars, River-violins and the Ecology of Listening
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“生态与审美共同进化的模式”：树吉他、河流小提琴和聆听生态
DOI：
10.1080/07494467.2016.1140867
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发表时间：
2016
影响因子：
0.4
通讯作者：
Hogg B
中科院分区：
文献类型：
--
作者：
Hogg B
音乐厅外的移动对聆听和创造性实践产生了影响，而不仅仅是重新定位“音乐”。一个环境特定的乐器的建设借鉴了情境探索和启示的培养，但也体现了有关艺术家的先存知识。空间感/地点感和聆听策略一起工作，既可以在景观中进行创新实践，又可以将景观的启示、在那里建造的乐器和体现的音乐体验带入完成的艺术和音乐作品。
The move ‘outside’ of the concert hall has repercussions for listening and creative practice beyond simply resituating ‘music’. The building of an environmentally specific instrumentarium draws onin situexploration and cultivation of affordances, but also on the embodied pre-existent knowledge of the artists concerned. A sense of space/place and strategies of listening work together both to situate emergent creative practices within a landscape and to take the affordances of that landscape, the instruments constructed there, and embodied musical experience forward into completed artistic and musical works.