Sacred rites in moonlight : Ben no Naishi nikki
Sacred rites in moonlight : Ben no Naishi nikki
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月光下的神圣仪式：本乃日记
DOI：
10.2307/30198003
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发表时间：
2006
期刊：
影响因子：
--
通讯作者：
玉井 幸助
中科院分区：
文献类型：
--
作者：
S. Y. Hulvey;弁内侍;玉井 幸助
Ben no Naishi（1228-1270）是藤原家族文学分支的后裔，她创作了一种创新的诗歌叙述，重点关注她作为在后深草宫廷（r. 1246-1259）任职的内侍的公众形象。传统学者认为《弁内史日记》是对宫廷细节的幼稚记录，没有任何文学目的，但弁内史的文本是由她作为内史（女性朝臣）对神圣和世俗职责的奉献而有意识地构建的，她们作为皇家王权——镜子、剑和珠宝——的守护者，在使王室统治合法化和永久化的仪式中发挥着至关重要的作用。这项基于翻译的研究将文本置于日记传统中，追溯了导致弁内师在宫廷工作的赞助关系的培养，描述了内师的神圣和世俗职责，探索了作品的独特文学方面，并重新评估了弁内师的作品作为一种创新的诗歌记录，其立场和内容服从于纪念皇室的统治。该译本丰富了镰仓文学经典的英文作品列表。
Ben no Naishi (1228-1270), a descendant of a literary branch of the Fujiwara family, created an innovative poetic account focusing on her public personae as a naishi serving at the court of Go-Fukakusa (r. 1246-1259). Traditional scholarship regards Ben no Naishi Nikki as a naive record of court minutiae written without any literary purpose, but Ben no Naishi's text is constructed consciously by her devotion to sacred and secular duties as naishi (female courtiers), who as guardians of the royal regalia-the Mirror, the Sword, and the Jewels-played vital roles in rites that legitimized and perpetuated the rule of the royal family. This translation-based study situates the text within the nikki tradition, traces the cultivation of patronage relationships that led to Ben no Naishi's job at court, delineates the sacred and secular duties of naishi, explores the unique literary aspects of the work, and reassesses Ben no Naishi's work as an innovative poetic record that subordinates the stance and contents to commemorating the reign of the royal family. The translation enhances the list of works available in English from the Kamakura literary canon.