By Means of Performance: Intercultural Studies of Theatre and Ritual
By Means of Performance: Intercultural Studies of Theatre and Ritual
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通过表演：戏剧和仪式的跨文化研究
DOI：
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发表时间：
1990
期刊：
影响因子：
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通讯作者：
Willa Appel
中科院分区：
文献类型：
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作者：
R. Schechner;Willa Appel
1.秘书长的说明在神话、仪式和戏剧中是否存在表演的共性？2.性能的大小3.极限性：主观和客观经验的综合4.亚基鹿舞蹈在帕斯夸普韦布洛，亚利桑那州5。亚基人的观点：关于亚基人的仪式和人类学6。表演戒律/表演戒律：布鲁克林的哈西德派普林节庆祝活动7.表演对观众的意义：三个斯里兰卡仪式的分析8.“成为角色”意味着什么：亚洲身体训练中的力量、存在和超越9。韩国萨满：角色扮演通过恍惚占有10。能剧的实践11。马戏团小丑表演中对神圣的亵渎12.关于神圣和亵渎行为的民族志笔记13.西班牙美洲和美国南部的神圣空间感及其与表演的联系14. 15.第十五章.仪式表演中意识的转变：一些思考和问题16。履行或摊销的普遍性附录书目索引。
List of figures Notes of contributors Introduction 1. Are there universals of performance in myth, ritual, and drama? 2. Magnitudes of performance 3. Liminality: a synthesis of subjective and objective experience 4. The Yaqui deer dance at Pascua Pueblo, Arizona 5. The Yaqui point of view: on Yaqui ceremonies and anthropologies 6. Performance of precepts/precepts of performance: Hasidic celebrations of Purim in Brooklyn 7. The significance of performance for its audience: an analysis of three Sri Lankan rituals 8. What does it mean to 'become the character': power, presence, and transcendence in Asian in-body disciplines of practice 9. Korean shamans: role playing through trance possession 10. The practice of noh theatre 11. The profanation of the sacred in circus clown performances 12. Ethnographic notes on sacred and profane performance 13. The spatial sense of the sacred in Spanish America and the American South and its tie with performance 14. Space and context 15. The transformation of consciousness in ritual performances: some thoughts and questions 16. Universals of performance or amortising play Appendix Bibliography Index.