TRACING THE DYNAMIC CHANGES IN PERCEIVED TONAL ORGANIZATION IN A SPATIAL REPRESENTATION OF MUSICAL KEYS
TRACING THE DYNAMIC CHANGES IN PERCEIVED TONAL ORGANIZATION IN A SPATIAL REPRESENTATION OF MUSICAL KEYS
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DOI：
10.1037/0033-295x.89.4.334
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发表时间：
1982-01-01
影响因子：
5.4
通讯作者：
KESSLER, EJ
中科院分区：
文献类型：
--
作者：
KRUMHANSL, CL;KESSLER, EJ
采用声调轮廓法对24名大学生和社区成人进行了两项实验，研究了西方音乐中和声和调性结构的认知表征。听者对单音（半音音阶中12个音中的任何一个）对音阶、和弦或节奏等音乐元素的配合程度进行评分。获得了反映大调和小调音调层次的稳定评级曲线，当它们相互关联并使用多维尺度分析时，产生了键间距离的4维空间图。听众将多个和弦的和声功能整合在一起，形成一种音调感，这种感觉需要在其他和弦响起时重新评估。这表明，和弦与键之间以及不同键之间的感知关系是通过音乐中单音的音调功能层次的内部表征来调解的。（56 ref）（PsycINFO Database Record (c) 2016 APA，版权所有）
Investigated the cognitive representation of harmonic and tonal structure in Western music using a tone-profile technique in 2 experiments with 24 undergraduates and community adults. Listeners rated how well single tones (any one of the 12 tones of the chromatic scale) followed a musical element such as a scale, chord, or cadence. Stable rating profiles reflecting the tonal hierarchies in major and minor keys were obtained, which, when intercorrelated and analyzed using multidimensional scaling, produced a 4-dimensional spatial map of the distances between keys. Listeners integrated harmonic functions over multiple chords, developing a sense of key that needed to be re-evaluated as additional chords were sounded. It is suggested that the perceived relations between chords and keys and between different keys are mediated through an internal representation of the hierarchy of tonal functions of single tones in music.(56 ref)(PsycINFO Database Record (c) 2016 APA, all rights reserved)