Thinking Images: The Essay Film as a Dialogic Form in European Cinema
Thinking Images: The Essay Film as a Dialogic Form in European Cinema
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思考图像：作为欧洲电影对话形式的散文电影
DOI：
10.3726/978-3-0353-0299-8
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发表时间：
2012
期刊：
影响因子：
--
通讯作者：
David Montero
中科院分区：
文献类型：
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作者：
David Montero
内容包括：思维形式-问题与答案：对散文电影的对话性理解-散文电影制作作为一种非虚构的实践：哈伦·法罗斯基的《工人离开工厂》、何塞·路易斯·盖林的《阴影列车》和克里斯·马克的《无叶》中的自我反思和异质语言-超越“我”：克里斯·马克的《第五级》中的主体性和对话性作者身份-未完成性、寻址性和机智：哈伦·法罗基的革命录像-质询，积极的旁观和返回的凝视：何塞·路易斯·盖林的《在西尔维亚城》-在五部电影中描绘散文敏感性的起源。
Contents: The thinking form - Questions and answers: Towards a dialogical understanding of the essay film - Essayistic filmmaking as a non-fictional practice: Self-reflexivity and heteroglossia in Harun Farocki's Workers Leaving the Factory, Jose Luis Guerin's Train of Shadows and Chris Marker's Sunless - Beyond the `I': Subjectivity and dialogical authorship in Chris Marker's Level 5 - Unfinalizability, addressivity and tact: Harun Farocki's Videograms of a Revolution - Interpellation, active spectatorship and the returned gaze: Jose Luis Guerin's In the City of Sylvia - Mapping the origins of an essayistic sensibility in five films.