Music Cities - Evaluating a Global Cultural Policy Concept
Music Cities - Evaluating a Global Cultural Policy Concept
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音乐城市 - 评估全球文化政策概念
DOI：
10.1007/978-3-030-35872-3_9
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发表时间：
2020
期刊：
影响因子：
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通讯作者：
Behr A
中科院分区：
文献类型：
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作者：
Behr A
本章探讨的过程中，和潜在的结果，研究现场音乐在城市通过“现场音乐普查”的手段，借鉴英国现场音乐普查，第一次尝试进行这样的练习跨多个城市（格拉斯哥，纽卡斯尔和牛津）。它开始讨论的研究范围更广的“音乐城市”作为一个概念，并作为城市当局本身的文化政策和再生努力的工具的增长。然后概述了与此相关的研究活动本身，包括以前的普查项目，从英国现场音乐普查的案例研究城市中选择关键结果，重点是比较点，包括分歧和共同点，在这些城市。本章最后审议了现场音乐普查为国家和地方各级决策提供信息的潜力。它指出，这类研究可以鼓励地方当局和国家政府审视他们的活动组合，并对现场音乐的情况进行战略评估，包括现场音乐生态系统中的参与者，即官方叙述的“音乐城市”之外的城市，否则可能很难识别。
This chapter examines the process, and potential outcomes, of researching live music in cities through the means of a ‘live music census’, drawing on the UK Live Music Census, the first attempt to conduct such an exercise across multiple cities (Glasgow, Newcastle and Oxford). It begins with a discussion of the broader context of the research—the growth of ‘music cities’ as both a concept and as a tool for cultural policy and regenerative efforts by city authorities themselves. The research activity itself associated with this is then outlined, including previous census projects, leading into selected key findings from the case-study cities of the UK Live Music Census, with an emphasis on points of comparison, including divergence and common ground, across those cities. The chapter concludes with a consideration of the potential for live music censuses to inform policymaking, at national and local levels. It notes that research of this kind can encourage local authorities—and national government—to look across their portfolios of activity and take strategic stock of the situation for live music, including those participants in a live music ecology—the city beyond the official narrative of a ‘music city’—who may otherwise be difficult to identify.