Art, Agency and Living Presence: From the Animated Image to the Excessive Object
Art, Agency and Living Presence: From the Animated Image to the Excessive Object
复制标题
艺术、能动性和活生生的存在：从动画图像到过多的物体
DOI：
10.1515/9783110345568
复制
发表时间：
2015
影响因子：
1.3
通讯作者：
C. V. Eck
中科院分区：
文献类型：
--
作者：
C. V. Eck
纵观历史，全世界的观众都把艺术品当作活生生的人来对待：与它们交谈，爱上它们，亲吻或殴打它们。本书借鉴了古代修辞学和阿比瓦尔堡与阿尔弗雷德·盖尔的理论，并追溯了试图理解--甚至激发--这种反应的历史，从而为理解这种反应做出了贡献。
Throughout history, and all over the world, viewers have treated works of art as if they are living beings: speaking to them, falling in love with them, kissing or beating them. This book is a contribution towards an understanding of such responses, by drawing on ancient rhetoric and the theories of Aby Warburg and Alfred Gell, and by retracing the history of attempts to understand - or even excite - such response.