Digital heritage and the rise of theory in museum computing
Digital heritage and the rise of theory in museum computing
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DOI：
10.1016/j.musmancur.2005.06.003
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发表时间：
2005-01-01
影响因子：
2.1
通讯作者：
Parry, Ross
中科院分区：
文献类型：
--
作者：
Parry, Ross
本文关注的是一个现在被称为数字遗产的主题的出现，并考虑它来自哪里以及它可能以何种形式发展。本文对比了博物馆研究学科内理论的兴起与其子学科博物馆计算的更实际的关注。它突出了博物馆计算的更多社会学和理论化解读的出现（这里称之为学科方法中的文化转向），以及该领域研究活动的协调扩展，特别是通过政府间赞助。早期展示的关键框架，这一新的活跃的学科，然后探讨，并提出了一系列的轨迹查询和方法，并强调，包括与“变化”的参与，承认新媒体的机构，承认历史方法的价值，和一个更细致入微的话语的愿望。(C)2005爱思唯尔有限公司保留所有权利。
This paper is concerned with the emergence of a subject now called digital heritage, and considers where it has come from and in what form it might progress. The paper contrasts the rise of theory within the subject of museum studies with the more practical preoccupations of its sub-discipline, museum computing. It highlights the emergence of more sociological and theorised readings of museum computing (what is termed here the cultural turn within the subject's approach), alongside the co-ordinated expansion of research activity in this area, particularly through inter-governmental sponsorship. The early showings of a critical framework for this new active discipline are then explored, and a series of trajectories for enquiry and approach are suggested and stressed, including an engagement with 'change', an acknowledgement of the agency of new media, a recognition of the value of historical methodologies, and the aspiration for a more nuanced discourse. (C) 2005 Elsevier Ltd. All rights reserved.