2016

2016
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DOI:
10.1177/0184767816663138
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发表时间:
2016-11
期刊:
Cahiers Élisabéthains: A Journal of English Renaissance Studies
影响因子:
--
通讯作者:
Florence March;Nathalie Vienne-Guerrin
Florence March;Nathalie Vienne-Guerrin
中科院分区:
其他
文献类型:
--
作者:
Florence March;Nathalie Vienne-Guerrin

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为了庆祝莎士比亚逝世400周年,蒙彼利埃大学保罗-瓦尔萨伊姆3学院在大学剧院安排了一场24小时的莎士比亚戏剧演出(La Vignette),之后是一场14小时的名为《莎士比亚之后》的演出,在广受欢迎的蒙彼利埃春季节期间演出。在理论和实践的十字路口,以及各种学科,这个合作企业联合研究中心和部门,以及教育和文化合作伙伴。这两场实验马拉松表演都是由Laurent Berger执导的,是一个挑战传统教学实践的为期一年的大型项目的高潮。
To celebrate the 400th anniversary of Shakespeare’s death, Université Paul-Valéry Montpellier 3 orchestrated a 24-hour Shakespearean show at the university theatre (La Vignette), which was followed by a 14-hour version entitled After Shakespeare, that was performed during the popular Printemps des Comédiens Montpellier festival. At the crossroads of theory and practice, and of various disciplines, this collaborative enterprise federated research centres and departments, as well as education and cultural partners. Both experimental marathon performances, directed by Laurent Berger, were the culmination of a large-scale, year-long project which challenged conventional pedagogic practices.