Tonality Induction: Theoretical Problems and Dilemmas
Tonality Induction: Theoretical Problems and Dilemmas
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调性归纳：理论问题和困境
DOI：
10.2307/40285826
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发表时间：
2000
期刊：
影响因子：
--
通讯作者：
P. G. Vos
中科院分区：
文献类型：
--
作者：
P. G. Vos
本文回顾了调性归纳研究的基本问题和困境。我关注两种不同但相关的研究障碍。首先是“调性”这一核心概念本身的模糊化，导致了“调的发现”、“调性的归纳”、“调性中心的感知”、“调性的感受”等不同的调性归纳概念。我认为，这种模糊性主要是由于缺乏明确的历史或分类界限的“西方调性音乐”。第二个障碍来自音乐中的各种二元性，特别是音调与音符表征，音调与音程表征，音调诱导的水平（“主导声音”）线索与垂直线索（“基本”），以及音调与时间音调诱导线索。(Dis)各种解释的音调感应和解决方案的对偶问题的优势被认为是。一些建议，目前不同的理论方法之间的调和调性感应的建议。
Fundamental problems and dilemmas for the study of tonality induction are reviewed. I focus on two different, although related types of research impediments. The first is the fuzziness of the key notion "tonality" itself, which leads to divergent conceptualizations of tonality induction, such as "key finding," "tonal induction," "tonal center perception," and "tonal feeling." I argue that the fuzziness is largely due to the lack of welldefined historical or otherwise categorical boundaries of "Western tonal music." The second impediment arises from various dualities in music, notably tone versus note representations, tonal versus intervallic representations, horizontal ("leading voice") cues for tonality induction versus vertical ones ("fundamentals"), and tonal versus temporal tonality induction cues. (Dis) advantages of various interpretations of tonality induction and of solutions of the dualities in question are considered. A few recommendations for reconciliation between currently divergent theoretical approaches to tonality induction are suggested.