City as Wilderness: The Wilderness Metaphor from Wilhelm Heinrich Riehl to Contemporary Urban Designers
City as Wilderness: The Wilderness Metaphor from Wilhelm Heinrich Riehl to Contemporary Urban Designers
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城市即荒野：威廉·海因里希·里尔对当代城市设计师的荒野隐喻
DOI：
10.1080/01426390903019841
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发表时间：
2009
期刊：
影响因子：
--
通讯作者：
L. Trepl
中科院分区：
文献类型：
--
作者：
Vera Vicenzotti;L. Trepl
摘要在这篇文章中，我们仔细研究了茨维申施塔特荒野隐喻的发展，即德国支离破碎的城市景观。我们追溯隐喻的含义回到它的起源，在保守的文化批评的威廉海因里希里尔的世纪中期，并分析了不同的含义“荒野”在今天的城市和景观规划师的立场。我们的目的是要证明，荒野的概念，以及城市和文化景观的含义，根据它们出现的上下文而有所不同。我们指出，不同的价值观可以附加到每一个单独的意义。这些评价取决于文化和政治模式以及个人的世界观。我们应用由此获得的见解，以确定三种不同类型的城市和景观设计师使用的茨维申施塔特的设计策略。
Abstract In this text we take a closer look at the development of the wilderness metaphor of the Zwischenstadt, that is, fragmented urban landscapes in Germany. We trace the metaphor's meanings back to its origins in the conservative cultural criticism of Wilhelm Heinrich Riehl of the mid-nineteenth century and analyse the different meanings of ‘wilderness’ in today's urban and landscape planners’ positions. Our aim is to demonstrate that the meanings of the concept of wilderness, as well as those of city and cultural landscape, differ depending on the context in which they appear. We point out that different values can be attached to each individual meaning. These evaluations depend on cultural and political patterns and on one's own world view. We apply the insights thus gained to identify three different types of design strategy for the Zwischenstadt used by urban and landscape designers.