Digital Color Imaging Handbook
Digital Color Imaging Handbook
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DOI：
10.1002/col.20049
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发表时间：
2004-10
影响因子：
1.4
通讯作者：
Joann M. Taylor
中科院分区：
文献类型：
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作者：
Joann M. Taylor
化学与物理手册。对于任何读者，没有这本书目前下垂的书架，这是一个巨大的托姆充满了事实，物理常数，和磅的元素和化合物的细节。虽然正在审查的书确实是相当大的，被称为手册，这是一个实质上不同类型的书，其目的是提供科学背景适用于许多方面的数字彩色成像的叙事形式。它不是一本指导你如何成功使用最先进的商业色彩和成像技术硬件和软件包的“操作”手册。由于本章的大部分主题已经写了很多卷，我认为人们对这样一本书最现实的期望是它提供了一个经过深思熟虑的主题组合，有很好的材料和充分的参考。大多数章节都对各自的主题提供了很好的概述，并提供了对其他相关材料的广泛引用。第一章由Gaurav Sharma撰写，标题为“数字成像的色彩基础”。在114页，这是一个重要的大块的书，在我看来，这可能是最困难的章节组成。这是因为，第一，有很多关于基本色彩科学的材料，第二，这样一个开头的章节必须真正试图把这本书的总体目标和哲学作为一个整体。本章很好地概述了与数字成像相关的色彩科学基础，并提供了347个参考文献，供读者深入研究各种主题。它提供了当前CIE颜色空间和当前基于CIE的色差度量等领域的详细信息。大部分的材料是覆盖着广泛的笔触在一个概述风格。它提供了一个基本的介绍材料在随后的章节。
Handbook of Chemistry and Physics. For any reader that does not have this book currently sagging a bookshelf, it is an enormous tome filled with facts, physical constants, and pounds of elemental and compound minutiae. Although the book under review is indeed quite large and is referred to as a handbook, it is a substantially different kind of book, and its intent is to provide the scientific background applicable to the many facets of digital color imaging in a narrative form. It is not a “how-to” manual that guides you through the process of successfully using state-of-the-art commercial color and imaging technology hardware and software packages.Since volumes have been written on the majority of the chapter topics, I think that the most realistic expectation one can have of such a book is that it provides a well-thoughtout mix of topics with a good distillation of the material and ample references. Most of the chapters provide a good overview of their respective topics and supply extensive citations to additional relevant material. Chapter 1 was written by Gaurav Sharma and is titled “Color Fundamentals for Digital Imaging.” At 114 pages, this is a significant chunk of the book and, in my opinion, this was probably the most difficult chapter to compose. This is because, first, there is a lot of material out there on basic color science and, second, such a lead-off chapter must really try to pull together the overall aims and philosophy of the book as a whole. This chapter does a good job at giving an overview of the underpinnings of color science relevant to digital imaging and provides 347 references for the reader to delve deeper into the various topics. It provides detail in areas such as current CIE color spaces and current CIE-based color difference metrics. Most of the material is covered with wide brushstrokes in an overview style. It provides a basic introduction to material in subsequent chapters.