Tattooed Bodies - Theorizing Body Inscription Across Disciplines and Cultures
Tattooed Bodies - Theorizing Body Inscription Across Disciplines and Cultures
复制标题
纹身身体——跨学科和文化的身体铭文理论化
DOI：
10.1007/978-3-030-86566-5_3
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发表时间：
2022
期刊：
影响因子：
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通讯作者：
McDade A
中科院分区：
文献类型：
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作者：
McDade A
当代西方纹身可以被理解为本质上的交易，要求付费客户利用专业从业者的服务来生产纹身结果。不断增长的纹身市场带来了各种各样的客户，从业者以各种方式利用这种媒介。许多学术文献都是从客户的角度关注纹身的结果及其意义，而很少从从业者的角度关注纹身的制作。从我的专业纹身实践中，本章展示了纹身生产的过程，作为从业者和赞助人之间固有的合作。本文提出了一个框架，用于理解纹身师的创作投入的变化程度，强调合作始终存在。通过更好地理解实践的协作性，围绕如何“阅读”纹身的更有见地的讨论可能会出现。
Contemporary western tattooing can be understood as transactional in nature, requiring a paying client to utilize the services of a professional practitioner, in the production of a tattoo outcome. The growing tattoo marketplace results in a variety of clientele, with practitioners utilizing the medium in a range of ways. Much of the academic literature focuses on the tattoo outcome and its significance from the perspective of the client, with limited attention paid to tattoo production, from the perspective of the practitioner. Drawing from my professional tattooing practice, this chapter presents the processes of tattoo production as inherently collaborative between practitioner and patron. A framework for understanding the shifting degree of authorial input of the tattooist is proposed, highlighting that collaboration remains consistently present. By better understanding the collaborative nature of practice, a more informed discourse surrounding how tattoos can be “read” may emerge.