Staging language: An introduction to the sociolinguistics of performance
Staging language: An introduction to the sociolinguistics of performance
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舞台语言：表演社会语言学简介
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
Andy Gibson
中科院分区：
文献类型：
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作者：
A. Bell;Andy Gibson
舞台表演涉及一个或多个要表演的人的公开、有计划的识别和提升，他们和观众之间有明确的界限。它涉及语言的能动使用，建立在现有社会意义的基础上。舞台表演倾向于在语言上程式化，突破了语言创造力的极限。它们有可能引发显著的社会语言效应，传播新奇的形式，并有助于语言的变化。巴赫金的风格化概念、贝尔的观众和裁判设计、西尔弗斯坦的指引性、阿加的登记和鲍曼的话语文化建构等都是本期主题所使用的语言表现范式。贯穿这些文章的主题包括：一部分是产品，一部分是过程的身份概念；观众的中心地位；舞台表演的反身性；以及音乐和外表等非语言形式的重要性。这本文集的语言分析主要集中在英语变体的语音特征上，发现了他们在使用一系列目标方言时出现的选择性、错别性、超调性和失调性的例子。
Staged performance involves the overt, scheduled identification and elevation of one or more people to perform, with a clearly demarcated distinction between them and the audience. It involves the agentive use of language, building on the foundation of existing social meanings. Staged performances tend to be linguistically stylized, pushing the limits of language creativity. They have the potential to trigger significant sociolinguistic effects, circulating novel forms and contributing to language change. The paradigms used in this theme issue for approaching language performance include Bakhtin's notion of Stylization, Bell's Audience and Referee Design, Silverstein's Indexicality, Agha's Enregisterment, and Bauman's construct of Discursive Culture. Themes that run through the articles include: a concept of identity that is part product, part process; the centrality of the audience; the reflexivity of staged performance; and the importance of non-linguistic modalities such as music and appearance. The language analysis in this collection of papers concentrates mainly on phonological features of varieties of English, finding instances of selectivity, mis-realization, overshoot and undershoot in their performances of a range of targeted dialects.