Staging the People: The Proletarian and His Double
Staging the People: The Proletarian and His Double
复制标题
为人民上演：无产阶级和他的替身
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
D. Fernbach
中科院分区：
文献类型：
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作者：
Jacques Ranciére;D. Fernbach
这些20世纪70年代的文章标志着雅克·朗西埃（Jacques Ranciere）四十年来追求的独特项目的开始，该项目有四个相互交织的主题：工人阶级身份的研究，其哲学解释，异端知识以及工作与休闲之间的关系。在短命的《逻辑革命》（Les Revoltes logiques）杂志上，朗西埃写的主题跨越了一百年，从加利福尼亚淘金热到与法西斯主义合作的工会，从早期的女权主义到无产阶级专政，“从巴黎博览会的体面到巴黎大门外的不体面的狂欢”。朗西埃的特点是将讲述历史细节与对大众思想发展的深刻洞察结合起来。在新的序言中，他解释了为什么“人民”、“工厂”、“无产阶级”和“革命”这些粗鲁的词仍然需要被使用。
These essays from the 1970s mark the inception of the distinctive project that Jacques Ranciere has pursued across forty years, with four interwoven themes: the study of working-class identity, of its philosophical interpretation, of hereticalA" knowledge and of the relationship between work and leisure. For the short-lived journal Les Revoltes logiques, Ranciere wrote on subjects ranging across a hundred years, from the Californian gold rush to trade-union collaboration with fascism, from early feminism to the dictatorship of the proletariat,A" from the respectability of the Paris Exposition to the disrespectable carousing outside the Paris gates. Ranciere characteristically combines telling historical detail with deep insight into the development of the popular mind. In a new Preface, he explains why such rude wordsA" as people,A" factory,A" proletariansA" and revolutionA" still need to be spoken.