REMEDIATION AND LOCAL GLOBALIZATIONS: How Taiwan's “Digital Video Knights-Errant Puppetry” Writes the History of the New Media in Chinese
REMEDIATION AND LOCAL GLOBALIZATIONS: How Taiwan's “Digital Video Knights-Errant Puppetry” Writes the History of the New Media in Chinese
复制标题
整治与本土全球化：台湾“数字视频傀儡”如何用中文书写新媒体史
DOI：
10.1525/can.2007.22.2.285
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发表时间：
2007
影响因子：
1.9
通讯作者：
Teri Silvio
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作者：
Teri Silvio
本文分析皮利国际多媒体公司的“数位影像武侠布袋戏”系列，这是台湾特有的流行文化类型，以回答两个问题。首先，最初为满足美国军事和娱乐业需求而开发的数字技术如何嵌入到不同的文化背景中？第二，这种嵌入如何使媒体技术成为一种东西，通过这种东西，可以想象出全球化本身的独特的地方模式？通过分析连续剧的风格以及制片人和粉丝的话语，我认为新媒体技术，尽管它们来自外国，但不仅可能被适应或抵制，而且可能被想象为来自当地美学和当地需求。通过他们利用数字和传统技术的具体方式，皮利制作人和粉丝构建了一个乌托邦式的愿景，如果台湾处于中心，全球化会是什么样子。
This article analyzes the Pili International Multimedia Company's “digital video knights-errant puppetry” serials, a popular culture genre unique to Taiwan, to answer two questions. First, how do digital technologies, originally developed to meet the needs of the American military and entertainment industries, become embedded in a different cultural context? Second, how does this embedding allow media technologies to become something through which distinctly local models of globalization itself may be imagined? Analyzing both the style of the serials and the discourse of producers and fans, I argue that new media technologies, despite their foreign origins, may not only be adapted or resisted, but may also come to be imagined as emerging from local aesthetics and local needs. Through the specific ways they utilize both digital and traditional technologies, the Pili producers and fans construct a utopian vision of what globalization might look like if Taiwan were at the center.
《日本研究与跨国主义》
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