Special Issue: Embracing Plurality in Designing Social Innovation Practices
Special Issue: Embracing Plurality in Designing Social Innovation Practices
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特刊:在设计社会创新实践时拥抱多元化
DOI:
10.1080/17547075.2019.1571303
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发表时间:
2019
影响因子:
0.7
通讯作者:
Akama Y
中科院分区:
文献类型:
--
作者:
Akama Y
This Special Issue (SI) for Design and Culture is an outcome of many conversations over several years, catalyzed by a series of international symposia on Design and Social Innovation in Asia-Pacific (DESIAP), which the editors (Yoko Akama and Joyce Yee) co-facilitated in Singapore in 2015, Bangkok in 2016, and Malaysia in 2017. The symposia series initially began with our mutual curiosity about what kinds of “design” and “social innovation” projects are undertaken in the Asia-Pacific region and by whom, and a desire to create a platform for capacity-building and knowledge-sharing among those tackling systemic and complex challenges with their local communities. The symposia and workshops were funded by our respective universities’(RMIT and Northumbria) internal grants and Arts and Humanities Research Council UK network funding, together with generous local support by hosting organizations. 1 These events gathered together academics and practitioners initiating change in Australia, Cambodia, China, Japan, Hong Kong, Indonesia, Lao PDR, Malaysia, Myanmar, South Korea, Singapore, Taiwan, Thailand, and the Philippines. The DESIAP event in Bangkok in 2016 also brought together leading design and social change researchers from Europe, the United Kingdom, and the United States, whose work is guided by reflexive, feminist, and participatory practices.The UK authors included here, Ann Light and Rachel Clarke, were central in formulating this SI through dialog with their work and areas of expertise. DESIAP participants share diversity in heritage, upbringing, and intercultural experiences that informed their current practices. From these discussions, we have learned that heterogeneous design practices have always been active under other names, continually constituted by various blends of cultures, relationships, materials, histories, philosophies, and world views to become relevant to certain localities and situations. The theme of this SI, embracing plurality, is one way to continue exploring our concern, initially presented at a design conference in Hong Kong 2 (Akama and Yee Citation 2016, 2), that the international design research community must be careful when design from industrial and modernist roots in Europe becomes dominant in the field of Design for Social Innovation (eg Brown and Wyatt Citation 2010; Manzini Citation 2015; Murray, Caulier-Grice, and Mulgan Citation 2010). We also argue that this field is “in need of effort and commitment to sharpen thinking to embrace difference and accommodate heterogeneity as its central condition”(Akama and Yee Citation 2016, 2). Our politics develop in response to the observation by economists and political journalists that the Asia-Pacific region is emerging as a global leader, projected to outpace economies in Europe and the US. So, as design–a field, theory, and practice that is already Euro–US centric (Escobar Citation 2017, Citation 2018)–has shown itself to accompany and accelerate this economic growth, we have become concerned with how it might inadvertently replace local, cultural, and heterogeneous practices in this region with dominant paradigms of design, ultimately replicating and entrenching colonial patterns (Akama and Yee Citation 2016).
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