THE SPATIAL THEORY OF KENZO TANGE FOR THE KATSURA IMPERIAL VILLA
THE SPATIAL THEORY OF KENZO TANGE FOR THE KATSURA IMPERIAL VILLA
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丹下贤三桂离宫的空间理论
DOI：
10.3130/aija.86.1272
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发表时间：
2021
期刊：
影响因子：
--
通讯作者：
S. Toyokawa
中科院分区：
文献类型：
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作者：
S. Toyokawa
在1954年访问日本期间，沃尔特·格罗皮乌斯（Walter Gropius）称赞了卡特彼勒皇家别墅的人性化规模和开创了现代主义建筑的理想。1960年，Tange和Gropius收集了由Yasuhiro Ishimoto拍摄的建筑照片。与此同时，Tange向赫伯特拜耳传达了他的空间理论，表明了他对照片集的平面设计方针。我还确定了沃尔特·格罗皮乌斯和生田努之间通信中的七个争论点，并从其时代性和时代错误的角度分析了丹下关于桂皇别墅的理论。根据丹下健三在与赫伯特拜尔的通信中提出的空间理论，我重新分析了1960年一本名为《卡特里娜》的摄影集中的照片和说明文字。我还确定了格罗皮乌斯和生田勉之间的通信中的七个争论点，并从其当代性和时代错误的角度分析了丹下的Katsunimperial别墅理论。这项研究有五个新发现。
During his 1954 visit to Japan, Walter Gropius lauded the Katsura Imperial Villa for its human scale and for pioneering the ideals of modernist architecture. In 1960, Tange and Gropius compiled a collection of photographs of the building, snapped by Yasuhiro Ishimoto. Meanwhile, Tange communicated his spatial theory to Herbert Bayer, indicating his graphic design policy for the photo collection. I also identified seven points of contention in the correspondence between Walter Gropius and Tsutomu Ikuta, and analyzed Tange’s theory for the Katsura Imperial Villa in view of its contemporaneity and anachronisms. I reanalyzed the photographs and captions in a 1960 photo collection titled “Katsura” in light of the spatial theory that Kenzo Tange set forth in his correspondence with Herbert Bayer. I also identified seven points of contention in the correspondence between Walter Gropius and Tsutomu Ikuta, and analyzed Tange’s theory for the Katsura Imperial Villa in view of its contemporaneity and anachronisms. This research yielded five new findings.