The use of emotion regulation by visitors to contemporary art commissions in heritage sites

The use of emotion regulation by visitors to contemporary art commissions in heritage sites
复制标题

DOI:
10.1080/13527258.2023.2263759
复制
发表时间:
2023-10
影响因子:
1.8
通讯作者:
Andrew Newman;Niki Black;B. Davenport
Andrew Newman;Niki Black;B. Davenport
中科院分区:
法学2区
文献类型:
--
作者:
Andrew Newman;Niki Black;B. Davenport

文献摘要

相似文献

摘要 本文探讨了在遗产地展示的一系列当代艺术作品如何被用于情绪调节的目的。使用的数据是定性的,源自题为“映射遗产体验中的当代艺术”的研究项目,该项目由艺术与人文研究理事会资助(2017年至2019年期间进行)。受访者(n = 22)来自四个小组,他们参观了为英格兰东北部的四个遗产地委托创作的五件当代艺术品。用于支持分析的文献来自多个学科,之所以被选择是因为其能够帮助探索参与者的反应。我们得出的结论是,受访者利用与遗产地当代艺术委员会合作的经验来调节情绪。然而,这主要是在受访者认为有必要改变情绪反应时观察到的。
ABSTRACT This paper explores how a series of contemporary art commissions displayed in heritage sites were used for emotion regulation purposes. The data used was qualitative and originated from a research project entitled Mapping Contemporary Art in the Heritage Experience, which was funded by the Arts and Humanities Research Council (undertaken between 2017 and 2019). The respondents (n = 22) came from four groups who visited five contemporary artworks that were commissioned for four heritage sites in North East England. The literature used to support the analysis originated from several disciplines and was chosen for its ability to help to explore the responses of the participants. We conclude that the respondents used the experience of engaging with the contemporary art commissions in heritage sites for emotion regulation. However, this was mainly observed when change in emotional response was perceived as necessary by respondents.