Liveness and Flow in Notation Use
Liveness and Flow in Notation Use
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符号使用中的活跃度和流程
DOI：
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发表时间：
2012
期刊：
影响因子：
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通讯作者：
A. Blackwell
中科院分区：
文献类型：
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作者：
Chris Nash;A. Blackwell
本文介绍了与符号介导的系统用户体验中的活跃度和流程相关的概念、模型和实证结果。对超过 1,000 名音序器和跟踪器用户进行了为期两年的广泛实地研究，结合了交互记录、用户调查和视频研究，结果被用来说明符号和界面的属性，这些属性有助于更好地沉浸在音乐活动和领域中，借用编程中的概念来说明分别来自符号和领域的视觉和音乐反馈的作用。符号认知维度框架和 Csikszentmihalyi 的流理论相结合，展示了非实时、符号介导的交互如何支持专注、身临其境、充满活力和内在回报的音乐体验，以及它们在音乐制作软件界面中的支持程度。用户可以通过集成音频和视觉反馈的快速迭代编辑试听周期来保持活跃度。
This paper presents concepts, models, and empirical findings relating to liveness and flow in the user experience of systems mediated by notation. Results from an extensive two-year field study of over 1,000 sequencer and tracker users, combining interaction logging, user surveys, and a video study, are used to illustrate the properties of notations and interfaces that facilitate greater immersion in musical activities and domains, borrowing concepts from programming to illustrate the role of visual and musical feedback, from the notation and domain respectively. The Cognitive Dimensions of Notations framework and Csikszentmihalyi’s flow theory are combined to demonstrate how non-realtime, notation-mediated interaction can support focused, immersive, energetic, and intrinsicallyrewarding musical experiences, and to what extent they are supported in the interfaces of music production software. Users are shown to maintain liveness through a rapid, iterative editaudition cycle that integrates audio and visual feedback.