Critical Relational Displays
Critical Relational Displays
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发表时间：
2011
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通讯作者：
B. Heaphy
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作者：
B. Heaphy
珍妮特·芬奇（Janet Finch，2007年）在她关于这一主题的原创文章中提出，“展示”可以扩展我们对当代家庭习俗的理解。她认为，展示是当代家庭的一种特征活动，这是一个可以有效地添加到分析这些概念工具箱中的想法。芬奇邀请研究者讨论和完善家庭展示的概念，我接受了这个邀请，以评估其对当代关系生活的批判性和反思性社会学的潜在贡献。在这样做的时候，我专注于在其中的概念可以被细化，以解决作为不同类型的家庭和关系的活动，显示的现场意义;显示和当代关系生活的权力和政治之间的联系;以及显示是如何绑定与家庭和“其他”关系的表演性和脚本。
In her original article on the topic Janet Finch (2007) proposes that ‘display’ can extend our understandings of contemporary family practices. Display, she argues, is a characteristic activity of contemporary families, and it is an idea that can usefully be added to the conceptual toolbox for analysing these. Finch invites researchers to debate and refine the concept of family display, and I take up this invitation to evaluate its potential contribution to a critical and reflexive sociology of contemporary relational life. In doing so, I concentrate on the ways in which the concept could be refined to address the situated significance of display as an activity for different kinds of families and relationships; the links between display and the power and politics of contemporary relational life; and how display is bound up with the performativity and scripting of family and ‘other’ relationships.