How It Was Sung in Odessa: At the Intersection of Russian and Yiddish Folk Culture
How It Was Sung in Odessa: At the Intersection of Russian and Yiddish Folk Culture
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它是如何在敖德萨演唱的：俄罗斯和意第绪民俗文化的交汇处
DOI：
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发表时间：
2001
期刊：
影响因子：
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通讯作者：
R. Rothstein
中科院分区：
文献类型：
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作者：
R. Rothstein
敖德萨在俄罗斯和意第绪语民间传说和流行文化中发挥了重要作用。尽管这座城市随着时代的变迁而发生了变化，但敖德萨的俄语变体以及在敖德萨及其周围创作的俄语和意第绪语歌曲是独特的多元文化主义品牌的持久产物。敖德萨的俄语在语法、词汇和用语方面受到意第绪语和乌克兰语的影响，敖德萨的民间幽默反映了犹太人的情感。敖德萨意第绪语充满了俄罗斯风情。关于敖德萨的俄语和意第绪语歌曲的曲目揭示了各自语言的混合特征。这些歌曲描绘了一座独特的城市：一座比维也纳或巴黎更令人印象深刻的城市；一座比维也纳或巴黎更令人印象深刻的城市。它体现了进步和无忧无虑的生活，但也很危险。这些歌曲涉及犹太人经历的各个方面，但也涉及黑社会的生活，采用了所谓的 blatnaia pesnia 的风格惯例。
Odessa has played a significant role in Russian and Yiddish folklore and popular culture. Although the city has changed with the times, the Odessa variant of the Russian language and the Russian and Yiddish songs created in and about Odessa are the lasting product of a unique brand of multiculturalism. The Russian of Odessa shows die influence of Yiddish and Ukrainian in grammar, lexicon, and phraseology, and Odessa folk humor reflects Jewish sensibilities. Odessa Yiddish is permeated with Russianisms. The repertoire of Russian and Yiddish songs about Odessa reveals the mixed character of die respective languages. The songs portray a unique city: one tfiat is more impressive than Vienna or Paris; one that embodies progress and the carefree life but is also dangerous. These songs deal with various aspects of the Jewish experience but also with the life of the underworld, employing the stylistic conventions of the so-called blatnaia pesnia.