The Form of Ideology and the Ideology of Form - Cold War, Decolonization and Third World Print Cultures
The Form of Ideology and the Ideology of Form - Cold War, Decolonization and Third World Print Cultures
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意识形态的形式和形式的意识形态——冷战、非殖民化和第三世界印刷文化
DOI：
10.11647/obp.0254.10
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发表时间：
2022
期刊：
影响因子：
--
通讯作者：
Orsini F
中科院分区：
文献类型：
--
作者：
Orsini F
很多关于冷战文学的著作，尽管直到最近主要还是来自美国、苏联和中国的国家文学框架。但是，亚洲、非洲和拉丁美洲文坛的“其余部分”仅仅是受到美国或苏联影响的敌对意识形态的战场吗？这本书表明，这种观点不仅是强烈的欧洲中心主义，而且也没有公正地对待非殖民化世界中文学行动主义的活力，以及第三世界印刷文化摆脱冷战对抗和帝国超级大国的多种方式。非殖民化运动和冷战宣传产生了堆积如山的印刷材料——从图文并茂的新闻公报到发行有限而广泛的文化和文学杂志，从丛书到丰富的译文。如果说杂志、会议、节日和翻译是冷战文化的支柱，那么它们都是通过或通过印刷方式出现的：甚至会议和节日也产生了报告、电报、游记和回忆录。政治团结也鼓励了其他印刷形式：宣言和宣言、证词、“来信”、诗歌或书评——通常是适合期刊的“便携”形式，而不是长篇小说那样的形式。引言部分讨论了本书的关键词——冷战印刷文化、意识形态、形式和第三世界——以及本书文章所讨论的主要印刷类型
Much has been written on Cold War literature, though until recently mainly from within the national literary frameworks of primarily the USA, Soviet Russia, and China. But was the ‘rest’ of the literary world of Asia, Africa, and Latin America merely a battlefield for rival ideologies, falling under either American or Soviet influence? This book shows that such a perspective is not only acutely Eurocentric, it also does not do justice to the vitality of literary activism in the decolonizing world, and to the multiple ways by which Third World print cultures broke free from Cold War antagonisms, and from imperial superpowers. Decolonizing movements and Cold War propaganda produced mountains of printed materials—from illustrated news bulletins to cultural and literary magazines with limited and wide distribution, from book series to a wealth of translations. If magazines, meetings, festivals and translations were the pillars of Cold War culture, they all happened through or found their way into print: even meetings and festivals produced reports, dispatches, travelogues, and memoirs. Political solidarities encouraged other print forms as well: the manifesto and declaration, the testimony, the ‘letter from’, the poem, or the book review—often short, ‘portable’ forms that suited periodicals, rather than long forms like the novel. The Introduction discusses the keywords of the book--Cold War Print Cultures, Ideology, Form, and Third World—and the main print genres that the essays of this book discuss