Instrument specificity in experienced musicians
Instrument specificity in experienced musicians
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DOI：
10.1080/17470210601154388
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发表时间：
2007-04-01
影响因子：
1.7
通讯作者：
Prinz, Wolfgang
中科院分区：
文献类型：
--
作者：
Drost, Ulrich C.;Rieger, Martina;Prinz, Wolfgang
以往的研究表明，有经验的钢琴家已经获得了整合的动作-效果（A-E）协会。在本研究中，我们感兴趣的是如何具体的这些协会弧为自己的乐器通过调查钢琴家和吉他手。A-E协会进行了检查，通过测试是否有一个“潜在的”行动效果的看法对行动的影响。参与者在他们的乐器上演奏和弦以响应视觉刺激，而他们在不同的乐器音色中呈现与任务无关的听觉干扰物（一致或不一致）。在实验1中，钢琴家表现出干扰效果与自己的乐器类别（键盘乐器：钢琴和管风琴）的音色。在实验2中，吉他手只表现出吉他音色的干扰效应。因此，整合的听觉-听觉联想似乎主要由感觉-运动水平上的一个特定成分组成，涉及自己的乐器。此外，关于如何演奏乐器的分类知识似乎也参与其中。
Previous studies have shown that experienced pianists have acquired integrated action-effect (A-E) associations. In the present study, we were interested in how specific these associations arc for the own instrument by investigating pianists and guitarists. A-E associations were examined by testing whether the perception of a "potential" action-effect has an influence on actions. Participants played chords on their instrument in response to visual stimuli, while they were presented task-irrelevant auditory distractors (congruent or incongruent) in varying instrument timbre. In Experiment 1, pianists exhibited an interference effect with timbres of their own instrument category (keyboard instruments: piano and organ). In Experiment 2 guitarists showed an interference effect only with guitar timbre. Thus, integrated A-E associations primarily seem to consist of a specific component on a sensory-motor level involving the own instrument. Additionally, categorical knowledge about how an instrument is played seems to be involved.